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A timepiece unveiling the aesthetic technique of a finely hand-decorated movement.

JULY 02 2024    |    Novelties

For the final titanium 41mm, three-hands limited edition with rubber strap, Romain Gauthier presents a timepiece with a partially open dial, unveiling a portion of the entirely hand-decorated movement.

C by Romain Gauthier Titanium Editions are modern timepieces with a sporty design that encloses a titanium movement whose hand-finishing prowess can be admired on the case-back. This time Romain wanted the stunning features of this movement to be easily visible just by looking at the watch, even when worn. By opening the dial, he reveals the beauty of the mechanism inside, bringing a technical aesthetic to this timepiece, which until now has featured a full dial.


This partially open dial is particularly reminiscent of the history of the brand's very first timepiece, the Prestige HM, which evolved to reveal the seconds-hand mechanism on its sister caliber, the Prestige HMS.

Unveiled in 2021, the C by Romain Gauthier caliber was the result of more than 16 years of know-how acquired through the brand's development and its manufacture, while reflecting Romain's creative freedom with a modern and youthful design.

Technical in nature, casual in style and free in spirit, the Freedom collection has enabled the creation of this contemporary caliber. The significance of C by Romain Gauthier lies in its creative approach to reinforce the notions of continuity with its concept and design, in reference to the Continuum. Reflecting a vision of the future for a timepiece which is part of Romain Gauthier's philosophy, and which opens the door to new horizons.

During its creation, it was clear to Romain that the case had to harmonize with the movement. It had to be contemporary and uncluttered. But not only that – comfort, ergonomics and the choice of materials also contributed to the design of this timepiece with the decision to use Grade 5 titanium. The dial, in sapphire for this edition, adds to the consistency of the piece and evokes a sense of continuity, as no circle completes the time indication.

Inspired by the finger bridges style, the design of the movement follows the watchmaking history of the Vallée de Joux but with a modern approach, reflecting Romain’s vision of the evolution of tradition.

Romain Gauthier presents the sixth edition of the caliber in titanium in a limited edition of 88-pieces and engraved “1 of 88” on the back of each movement.

 

A partially openwork dial
The C by Romain Gauthier Titanium Edition Six features a sapphire dial that is partially open to the seconds mechanism and escapement.

The seconds wheel is the main feature of this opening. In addition to its mechanical aspect, this wheel is an aesthetic symbol unique to the brand. Its shape and openings are typical of Romain Gauthier wheels - the decorative circling and polished angles attest the care devoted to the finishing of each component.

The partial opening of the dial also reveals the escapement assembly with the escapement wheel, balance and pallet fork. A decorative bridge on the lower part of the dial has been added - thanks to a special hand engraving technique, the specialists at Manufacture have reproduced the boucharder texture found inside the bridges on the movement.

By opening the dial at the front and leaving the movement visible at the back, Romain Gauthier highlights heart of this caliber. Thanks to the decoration of each component, this timepiece takes on a new visual dimension - contrasts and plays of light bring this Grade 5 titanium movement to life.

The dial of the C by Romain Gauthier, a symbol of modernity and continuity both in terms of architecture and design, features off-center hour-minute hands and slightly tapered hour markers of varying lengths. The 5-second intervals of the small seconds at 7 o'clock are also marked by tapering orange lines of differing lengths.

Romain explains this purposeful play on perspective, saying: “Rather than a series of enclosed circles, as we often see in watchmaking, I wanted an open, airy dial on which full or part orthogonal lines form vanishing points with the axes of the hands, reinforcing the notion of continuity.”

The tapering, three-dimensional hands and index are made from 18k white gold and filled with Super-LumiNova for enhanced legibility, as are the numerals and applied hour markers, each of which has been produced from a single piece of white gold and features bevelled edges to give a punchy presence.

 

Eye-catching case and strap high on details
Framing the dial is a titanium bezel whose eye-catching, geometric profile is unlike anything previously seen on a Romain Gauthier timepiece. The bezel is first machined into a round shape featuring a circular bevel before six straight sides are cut into it to create 6 facets. While these facets, which have been polished, reflect the light and bring the bezel to life, the rest of the bezel absorbs light thanks to its satin-finishing. The same facetted design is replicated around the sapphire crystal on the back of the watch.

In between the bezel and caseback, the one-piece caseband and lugs are geometrically sculpted, with satin and polished finishes as well as aesthetic grooves cleverly deployed to draw out the resulting shapes. Meanwhile, the rubber strap with titanium pin buckle follows the form of the angular lugs and rounded caseband so it appears as a continuous, organic extension of the case.

And not for the first time in his work, Romain has placed the crown for winding and time-setting at 2 o’clock, freeing up space for wrist movement. A rubber ring around the crown makes it easier to manipulate, as well as adding a dash of colour to the timepiece.

 

Clever stop-seconds mechanism that uses a snail cam
Romain has endowed C by Romain Gauthier with a stop-seconds – or hacking seconds – mechanism, allowing the wearer to set the time exactly according to a reference time.

Like many stop-seconds mechanisms, a brake is placed on C by Romain Gauthier’s balance wheel when the crown is pulled out. But instead of using a straight or L-shaped balance stop lever to halt the balance, Romain has opted to employ a snail cam that performs a double function: It touches and stops the balance wheel when the crown is pulled out and, when the crown is pushed back in, the snail cam makes a turn, with its increasingly wide form giving the balance an impulse to help it start beating again.

Those familiar with the brand will know Romain has used the snail cam’s unique shape in his past creations: It appears on the watchmaker’s acclaimed Logical One.

 

In-house movement where design and decoration meet modernity
The themes of modernity and continuity carry over to the manual-winding, in-house movement, which is gloriously on show through the display back.

Taking centre stage are a number of finger bridges – historically typical of the Vallée de Joux, Romain’s birthplace – but reinterpreted here in a contemporary way. For starters, these bridges are horizontally configured and feature a ‘stepped’ shape – previously seen on some of Logical One’s bridges – that not only provides volume and depth, but also gives the sense that the bridges are literally flowing over the gears and balance wheel, with no clear end to them.

Like the case components, the bridges are made from lightweight, natural Grade 5 titanium and they boast contrasting tones and textures thanks to a variety of finishes. The outer edges of each bridge all feature a double bevel, while the flat bridge surfaces and rubies are each framed by a raised border that has been straight-grained. Within these borders, the hand- finishing specialists at Manufacture Romain Gauthier have used a special hand-engraving technique to create a highly original dimpled texture. The movement mainplate beneath has been hand-frosted.

The impressive decoration doesn’t stop with the bridges and mainplate: Romain’s trademark gears and ratchet wheel featuring circular, bevelled spokes have been circular-grained, while the click, snail cam and screws with S-slot heads – another signature of Romain – have been highly polished. Finally, the lid of the mainspring barrel has been embellished with a superb snailing decoration.

C by Romain Gauthier’s regulator features the Romain Gauthier balance wheel with curved arms and calibrated eccentric weights, plus hand-assembled pallet lever that is triangular for maximum rigidity.

 

Technical Specifications

 

Edition     88-piece limited edition in natural Grade 5 titanium, engraved “1 of 88” on the back of the movement
 

Features and indications

  Off-centred hours and minutes
Small seconds at 7 o’clock
Natural Grade 5 titanium case, dial, movement bridges and mainplate
In-house movement featuring stop-seconds mechanism
Sporty rubber strap
     

Dial and hands

 

 

 

 

Sapphire dial
Off-centred hours and minutes
Small seconds at 7 o’clock with 5-second intervals marked by tapering orange lines.
Super-LumiNova-filled 18k white gold hands and applied numerals and hour markers

 

     

Movement and finishing

 

In-house, hand-wound movement

Dimensions   32.10 mm x 5.50 mm
     
Power reserve   60 hours
Number of jewels   24
Number of components   158
Balance frequency   28,800 vph / 4Hz
Components made from   Titanium, steel, stainless steel and German silver
Finishing   Superlative decoration by hand
Treatment   Natural titanium bridges and rhodium-treated gears
     
Case    
Material   Natural Grade 5 titanium
Dimensions   41mm x 9.55mm, lugs to lugs: 49.5 mm
Water resistance   50m/5atm/160ft
    Crown for winding and time-setting featuring coloured rubber ring, at 2 o’clock
Watch supplied with a rubber crown ring in burgundy.
Sapphire crystal with interior anti-reflection coating, front and display back
     

Strap and buckle
 

 

Supplied with grey rubber strap with specially developed, satin-finished and polished natural Grade 5 titanium pin buckle.

     
Total weight of the watch   55g, including rubber strap and pin buckle

 


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Chronoswiss Celebrates 30 Years of Horological Innovation with the Opus Purple Rain Limited Edition

Chronoswiss celebrates three decades of horological mastery with the launch of the Opus Purple Rain, a bold and limited edition chronograph that reimagines the brand’s iconic skeletonized timepiece. Limited to just 30 pieces worldwide, this anniversary edition marks a milestone in modern independent watchmaking, honoring the legacy of the original Opus while pushing the boundaries of design and mechanical transparency.

First introduced in 1995 by Chronoswiss founder Gerd-Rüdiger Lang, the Opus revolutionized the chronograph landscape by exposing its intricate movement architecture on the dial side—a radical departure from the traditionally closed and utilitarian chronographs of the time. The Opus became a symbol of mechanical artistry and a signature of the brand’s avant-garde spirit.

The Opus Purple Rain carries this legacy into the future with unapologetic flair. Encased in Grade 5 titanium and finished with a radiant purple CVD coating, the watch is both lightweight and visually arresting. Its skeletonized dial, also rendered in ultraviolet hues, reveals the ruthenium-coated Chronoswiss C.741S automatic chronograph caliber, offering a 46-hour power reserve and a full suite of chronograph functions including central seconds, 30-minute and 12-hour counters, small seconds, and date.

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“The Opus Purple Rain is not just a commemorative piece—it’s a statement,” said Chronoswiss CEO Oliver Ebstein. “It embodies the spirit of mechanical transparency and innovation that has defined Chronoswiss for 30 years. This is a watch for those who dare to see how far precision and design can be pushed.”

With only 30 pieces produced, the Opus Purple Rain is destined to become a collector’s treasure—a celebration of the past, a vision of the future, and a mechanical theatre on the wrist. 

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MAY 16 2025    |    Novelties

Chronoswiss presents the ReSec Snake: A Venomous Twist on Modern Mechanical

Known for bold evolutions of mechanical wristwatches and daring designs, Chronoswiss unveils its latest creature: the ReSec Snake. Slithering between heritage and rebellion, this timepiece is a hypnotic blend of color, contrast, and kinetic energy — proof that modern mechanical watchmaking still has a few fangs to bear.

The Snake’s Bite

The ReSec Snake coils into view within a 42mm titanium case, coated with a mesmerizing color-changing PVD-coating that shifts from emerald green to turquoise, depending on the light. It’s not just a case — it’s iridescent armor, capturing the reptilian allure of a serpent in motion. Paired with a contrasting white rubber strap, the Snake wraps around the wrist with smooth, tactile elegance.

But the true venom lies beneath the sapphire crystal. A green CVD-coated dial, hand-guillochéd in the Lucerne Atelier, pulses with depth and hypnotic texture. It’s a dial that doesn’t just tell time — it seduces it.

Take a closer look, and the architecture reveals itself: the iconic 3D regulator layout of the ReSec series slithers across the dial, framed by green hour and minute rings and a retrograde second display, like the flick of a serpent’s tongue. Underneath, the exposed gear train glimmers in contrasting tones — a mechanical exoskeleton that moves with silent precision.

Fangs Beneath the Surface

Powering this cold-blooded beauty is the Chronoswiss Manufacture Caliber C.6005, featuring a 55-hour power reserve, ruthenium-plated finishing, and a radial Côtes de Genève motif. It’s mechanical watchmaking at its sharpest: sleek, silent, and engineered to strike.

Limited. Lethal.

Only 100 pieces of the ReSec Snake will ever exist — a rare breed for collectors with a taste for the untamed. The ReSec Snake is a statement: of daring, of detail, and of defiance — proving once again that at Chronoswiss, we don’t follow rules. We shed them.
 

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Chronoswiss Unveils the Neo Digiteur Chronos: Time Carved in Solid Gold

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Rather than utilizing a traditional dial, the watch seamlessly integrates three precise apertures into the sculpted gold scene. The passage of time is visually poetized: the jumping hour appears in Chronos’ scythe at 12 o'clock, the sweeping minute disc flows through the upper chamber of the hourglass, and the continuous seconds rotate below in the lower chamber. Encircling the entire case and printed inside the black nubuck strap is a classic Greek meander pattern, an ancient symbol representing eternity and the infinite flow of time

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Strictly limited to only 33 pieces worldwide, each Neo Digiteur Chronos requires weeks of painstaking hand engraving, ensuring no two pieces are ever completely identical. As a rare fusion of ancient mythology, traditional hand craftsmanship, and avant-garde watchmaking, this collector’s creation represents a mechanical myth carved in gold. The Neo Digiteur Chronos is now available for inquiry through authorized Chronoswiss retailers and official channels.

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A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

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To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.

 

A Design That Expresses Its Mechanics
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- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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A First in Rose Gold

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Craftsmanship Without Compromise

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Limited Edition of 15 Pieces

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A Statement from Claude Greisler

“The introduction of an 18-karat rose gold case marks a significant milestone for the Mirrored Force Resonance series. This choice of material not only enhances the aesthetic appeal but also underscores our commitment to offering a diverse range of options to our clientele,” said Claude Greisler, Co-Founder and Master Watchmaker at Armin Strom.

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Architecture of Time

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Stellar Blue – A Tribute to Cosmic Velocity

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Nugget – A Homage to Discovery and Rarity

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The case, polished and sandblasted, retains the 40 mm diameter and 12.7 mm thickness, but its golden sheen transforms the watch into a statement of rarity. Paired with a black nubuck calfskin strap lined in blue Alcantara, the Nugget balances boldness with refinement..

Two Visions, One Philosophy

Whether inspired by the stars or the soil, the Strike Two Stellar Blue and Strike Two Nugget embody Chronoswiss’s philosophy of independent design, mechanical excellence, and thematic storytelling. Limited to 100 pieces each, these timepieces are not just instruments of time — they are expressions of discovery, crafted for collectors who seek meaning in every detail.

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Constant Force Tourbillon 11, yellow gold edition - A celebration of watchmaking ingenuity

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

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