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GREUBEL FORSEY UNVEILS HAND MADE 2: THE ULTIMATE EXPRESSION OF TRUE HAND WATCHMAKING

JANUARY 21 2025    |    Novelties

Hand Made 2 embodies the ultimate pursuit of hand watchmaking. Every component, whether visible or hidden, is created, finished, and assembled by hand with unprecedented rigor. Over 5,000 hours are required to complete the 270 components of this four handed 40.9mm timepiece, 96% of which are entirely handmade. Only two to three such timepieces can be crafted each year, our commitment to the highest level of craftsmanship.

 

In a highly mechanised industry where the concept of "hand made" is often opaque, Greubel Forsey stands out with a transparent and very strict definition, showcasing exactly what "hand made" truly means to reach its standards.

WHAT HAND MADE MEANS TO GREUBEL FORSEY
For Greubel Forsey, "hand made" entails:

  1. All components, except five – sapphire crystals, case gaskets, spring bars, mainspring, and most jewels – are crafted by hand using traditional tools such as a precision lathe, a jig-borer, or a pantograph. A major milestone of the Hand Made 2 is the creation of a handcrafted conical jewel for the power reserve indicator, advancing handcraftsmanship even further.
  2. Each component is manually machined with tolerances of just a few microns, achieving a precision comparable to modern CNC machines.
  3. Every component, whether visible or hidden, is meticulously finished by hand.
  4. Each timepiece is assembled entirely by hand by a single watchmaker.

 

HAND MADE 2: PUSHING THE LIMITS
Distinctly Greubel Forsey yet revolutionary, Hand Made 2 pushes technical and aesthetic boundaries. Its large conical jewel symbolises this pursuit. In its workshop, Greubel Forsey preserves rare skills, develops unique expertise, and passes it on to future generations with an inexhaustible passion for innovation.

 

MASTERING THE BALANCE SPRING
Since 2012, Greubel Forsey has been rediscov¬ering traditional techniques for crafting balance springs, a key component for timekeeping pre¬cision. Each spring is made from a carefully selected alloy for its unique properties and individually adjusted by an expert watchmaker. This complex process, including coiling, cutting, and manually adjusting terminal curves, ensures perfect synchronisation with the balance wheel.

 

TIMELESS AESTHETICS AND EXCEPTIONAL RARITY
Hand Made 2 combines 18th-century elegance with Greubel Forsey’s signature modern innovation. The barrel and balance bridges create remarkable harmony, each enhanced by five artisanal finishes: frosted, black-polished, straight-grained, polished flanks and bevels, and the polished chamfers ac¬cented by olive-domed jewels set in gold chatons.

The hand-frosted German silver contrasts beautifully with the Grand Feu enamel dials for the hours, small seconds, and power reserve. Blued steel hands, deep red rubies, golden reflections of wheels and barrels, and the bright edges of polished steel bridges bring a vibrant chromatic depth to every component. Beneath a thin bezel, the architectural movement opens up to the ob¬server, offering a unique perspective throughout the timepiece. The case back extends this harmony, revealing a perfectly coherent mechanism where every detail reflects extraordinary handcrafts¬manship. The Hand Made 2 is not merely a watch; it is an invitation to admire excellence through a mechanical work of art.

 

EXCEPTIONAL RARITY
Each year, Greubel Forsey’s Hand Made workshop can complete only two to three Hand Made 2 time¬pieces, making it one of the rarest and most ex¬clusive creations from the Greubel Forsey Atelier.

 


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Encased in a 41 mm stainless steel case and paired with an integrated steel bracelet, the watch features a fully openworked architecture. The traditional dial is replaced by a blue PVD-coated mainplate, creating a vivid stage for the movement’s choreography. Every component is arranged in perfect symmetry, emphasizing depth, contrast, and clarity.

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Each movement is hand-finished to haute horlogerie standards, with Geneva stripes, polished bevels, and chamfered edges. Every piece is assembled twice, ensuring flawless performance and visual harmony.

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AUGUST 19 2025    |    Novelties

Chronoswiss Celebrates 30 Years of Horological Innovation with the Opus Purple Rain Limited Edition

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First introduced in 1995 by Chronoswiss founder Gerd-Rüdiger Lang, the Opus revolutionized the chronograph landscape by exposing its intricate movement architecture on the dial side—a radical departure from the traditionally closed and utilitarian chronographs of the time. The Opus became a symbol of mechanical artistry and a signature of the brand’s avant-garde spirit.

The Opus Purple Rain carries this legacy into the future with unapologetic flair. Encased in Grade 5 titanium and finished with a radiant purple CVD coating, the watch is both lightweight and visually arresting. Its skeletonized dial, also rendered in ultraviolet hues, reveals the ruthenium-coated Chronoswiss C.741S automatic chronograph caliber, offering a 46-hour power reserve and a full suite of chronograph functions including central seconds, 30-minute and 12-hour counters, small seconds, and date.

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“The Opus Purple Rain is not just a commemorative piece—it’s a statement,” said Chronoswiss CEO Oliver Ebstein. “It embodies the spirit of mechanical transparency and innovation that has defined Chronoswiss for 30 years. This is a watch for those who dare to see how far precision and design can be pushed.”

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JUNE 24 2025    |    Novelties

Arnold & Son Perpetual Moon 41.5 Red Gold – Cliff Grey Edition

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The dial is adorned with the exclusive Stellar Rays motif, a textured pattern that plays with light through layered transparent lacquer. Its Cliff Grey tone evokes the misty British coastline, while the moon phase display—among the largest in watchmaking—glows in mother-of-pearl enhanced with Super-LumiNova. Set against a midnight-blue sky, the moon is surrounded by hand-painted constellations, Ursa Major and Cassiopeia, symbols of guidance and exploration.

The case, measuring 41.5 mm in diameter, is sculpted with refined lugs and a slim bezel that opens up the dial to its full celestial display. On the reverse, a secondary moon-phase indicator allows for precise adjustment of the moon’s age.

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To mark the 16th anniversary of the manufactory, Moritz Grossmann presents the limited-edition ENAMEL ROMAN Vintage

Black is the absence of light. This is the physical definition of a colour that is synonymous with classicism and elegance. At Moritz Grossmann, black is used to form stylish contrasts and also serves as a testament to the highest standards of craftsmanship. The limited-edition ENAMEL ROMAN Vintage, for example, has an enamel dial whose manufacture presents multiple challenges. With this, Moritz Grossmann has chosen the occasion of its 16th birthday to once again shine the spotlight on the expertise of the ateliers and workshops in Glashütte.

Tradition requires renewal, otherwise it remains stagnant in the past and cannot survive. This is an approach that Moritz Grossmann has embodied since 2008: the manufactory opened 16 years ago as a tribute to one of the most exceptional personalities in the history of watchmaking in Glashütte. Moritz Grossmann was an innovative watchmaker and, with the founding of the German Watchmaking School in Glashütte, influenced a generation of artisans.

His values and vision now live on in the Moritz Grossmann manufactory, which crafts a small but exquisite collection of sophisticated watches that always remain true to the standards of the man who gave the manufactory its name. Characteristics of these timepieces include exclusive manufactory movements with innovative details that are designed, made and finely decorated in-house in the company’s own workshops. The highest of standards also come into play when finishing the watches, as impressively demonstrated by the special model marking the 16th anniversary of the manufactory.
 

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gérald genta unveils the Geneva Time Only — sculptural elegance distilled into a 38 mm cushion‑case

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“I wanted to capture the intuitive, instinctive genius and artistry of Mr. Genta,” says Matthieu Hegi, Artistic Director at La Fabrique du Temps Louis Vuitton, who leads the Geneva collection’s creative direction.

The updated cushion case—neither round nor square—features softened contours, a refined gadroon and a new single, broader lug on each side, striking a rare balance of daring and discretion. Light plays across polished and satin surfaces, while the collection’s signature two‑segment minute track forms a subtle optical illusion as the outer track follows the cushion silhouette and the inner ring remains perfectly circular. The grained brass dial carries a gentle fumé gradient—lighter at the center, darker at the edge—for tonal depth.

At just 8.15 mm thick, the 38 mm case slips neatly under a cuff; both models are fitted with rounded, mirror‑polished solid‑gold hands and applied indexes and tone‑on‑tone calfskin straps. Under the dial, the GG‑005P automatic calibre—Zenith Elite–based with redesigned bridges and a reworked oscillating mass—beats at 4 Hz with a 50‑hour power reserve (158 components, 27 jewels), visible through the sapphire caseback. Water‑resistance is 30 m.

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