Chronoswiss is proud to announce a groundbreaking partnership with the ERT Formula E Team, marking a union that champions innovation, sustainability, and the avant-garde spirit of electric motorsports. As a brand synonymous with "Modern Mechanical" timepieces, Chronoswiss sees this collaboration as a natural synergy between two pioneers in their respective fields.
Oliver Ebstein, CEO and Owner of Chronoswiss, expressed excitement about the collaboration. "Joining forces with the ERT Formula E Team is a thrilling new chapter for us. It reinforces our dedication to forward-thinking luxury and aligns with our commitment to sustainable progress. ERT’s trailblazing efforts in Formula E resonate with our own quest for excellence and innovation in watchmaking."
The partnership will integrate Chronoswiss branding into the adrenaline filled world of ERT. From the race cars' sleek mirrors and nose cone to the driver’s gloves, our emblem will feature prominently, ensuring visibility that befits the stature of our craftsmanship.

Angelus introduces a new collection that plays with the tension between the circle and openworking. Flying Tourbillon Titanium adopts the architecture of the house’s contemporary case, consisting of a carbon composite container surrounded by a titanium case middle with a notched bezel. Inside, Angelus has installed a new hand-wound movement, the A-310 calibre, equipped with a flying tourbillon at 6 o’clock. Large Arabic numerals float between the sapphire crystal and the PVD-treated bridges, adding rhythm and lightness to Flying Tourbillon Titanium. The inaugural version is clad in blue, from the movement to the flange and the interchangeable alligator-leather and rubber straps.

Moritz Grossmann, renowned for its exquisite craftsmanship and precision in watchmaking, proudly announces the launch of the ART EDITION Max Frintrop. This exclusive collection features sixteen unique timepieces, each showcasing a dial crafted from the top layers of renowned German painter Max Frintrop’s studio floor.

A Fusion of Art and Horology
The ART EDITION Max Frintrop marks the first collaboration between Moritz Grossmann and a contemporary artist. Each dial in this collection captures years of artistic expression, resulting in a mesmerizing display of abstract beauty. The intricate layers of paint, preserved from Frintrop’s studio floor, create a unique and captivating design for each watch.

Craftsmanship and Innovation
At the heart of each timepiece is the calibre 100.1 movement, a testament to Moritz Grossmann’s commitment to quality and precision. Components made from untreated German silver, a hand-engraved 2/3 plate, and the distinctive Grossmann balance are just a few of the features that highlight the exceptional craftsmanship of these watches.

Exclusive Design and Limited Availability
Each watch is engraved with “Unique Piece” on the case back and is available in rose gold or stainless-steel cases. Complemented by different-colored Kudu leather straps, these timepieces are as stylish as they are unique. Max Frintrop’s signature is discreetly engraved on the glass back, adding a personal touch to each piece.

A Philosophical Exploration of Time
This collaboration explores the concept of time through both art and watchmaking. Christine Hutter, CEO of Moritz Grossmann, explains, “The heart of a watch is the balance. It can be seen as philosophical proof that a watch is not just a timepiece, but also a constant reminder that our understanding of time is both fleeting and infinite.”
 

Moonlight illuminates a botanical green dial. The “Fern Green” version of Perpetual Moon 41.5 borrows the cool tones of the moon. The paleness of the platinum, the freshness of the fern green, and the midnight blue of the sky create an original flow of colours.

Maturity, diversity and mechanical exclusivity: the Perpetual Moon collection is constantly being enriched with new creations, consistently reaffirming the watchmaking and artistic talents of Arnold & Son. Following two other editions, one with salmon pink accents and another in sky blue, Perpetual Moon 41.5 Platinum is now available in this limited fern green version of 28 timepieces.

Its hue is inspired by the unique colour of the fern, an undergrowth plant found in abundance in the English gardens of Cornwall, the county where John Arnold was born.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.