Chronoswiss marks a definitive leap into the future of independent watchmaking with the introduction of the PULSE GMT, a collection that represents one of the most progressive chapters in the brand's history. Inspired by the mechanical spirit of the 1999 Tora icon, this new series redefines traditional design codes through a radically modern lens while maintaining the brand's independent spirit. The collection is built specifically for global travelers and collectors who move between continents and time zones, requiring a sophisticated mechanical companion.

The PULSE GMT features a bold, sculptural case construction that seamlessly integrates the first full metal bracelet in Chronoswiss history. This architectural approach ensures a unified presence on the wrist, blending the iconic onion crown and coin-edge bezel with contemporary lines. Whether crafted from high-strength Grade 5 Titanium for daily wear or solid 18-carat 5N Gold, the 41mm case offers a powerful physical and visual statement.

At the heart of the collection beats the Manufacture Caliber C.6002, an automatic movement developed exclusively with La Joux-Perret. This dedicated mechanical construction provides a true dual-time display, featuring a 24-hour second time zone on the left and a 12-hour home time on the right, all unified by central minutes and seconds. With a 55-hour power reserve and water resistance up to 10 bar, the movement is designed for movement and mechanical clarity.

The collection showcases the height of Lucerne craftsmanship through two distinct dial interpretations. The Silver Guilloche edition celebrates pure mechanical texture with hand-guilloché patterns cut on century-old machines, while the Enamel Sky Gold features the rare art of paillonné enamel. This demanding craft embeds gold stars within layers of translucent fire enamel over a guilloché base, creating a celestial display designed to last for centuries.

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To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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A faithful tribute to the original model, the Tinkler 1958 repeater celebrates Angelus’s rich heritage of striking watches. Driven by a self-winding quarter-repeater movement, this double limited edition, available in gold or steel, continues the tradition of measuring instruments that built the manufacture’s reputation. From its establishment in 1891, the name Angelus has been synonymous with the chiming of a bell, a legacy reinforced by one of the Maison's first patents for a silent strike governor in 1896. Since then, repeater mechanisms have remained at the heart of Angelus collections, even being adapted into Braille-repeating watches for blinded soldiers during the First World War.

Inspired by this glorious history, Angelus is reissuing one of its rarest and most refined models: the Tinkler, based on the original 1958 edition. In 1958, Angelus filed a patent for a striking wristwatch, which was immediately followed by the original Tinkler—a pioneer of water-resistant, self-winding quarter-repeater watches. The new 38-mm case charms with a decidedly 1950s aesthetic that is clean, understated, and elegant. At 9 o’clock, the crown is balanced by a pusher that activates the quarter repeater, serving as a functional and historical hallmark of this legendary model.

The Tinkler 1958 edition is driven by the new Angelus A600 calibre, a mechanical self-winding movement that beats at 4Hz and offers a 70-hour power reserve. On request, the pusher at 9 o’clock triggers a sequence where each hour is marked by a clear strike on the first gong, followed by a double strike on two gongs to signal each quarter hour. The movement's finishing demonstrates the watchmaker's extreme attention to detail, featuring a snail-finished main plate, palladium-plated bridges adorned with Côtes de Genève, and a tungsten sunburst oscillating weight.

This new release is part of the La Fabrique line, where Angelus continues its legacy as a maker of specialty watches designed for specific activities or professional uses. The Tinkler 1958 is limited to 15 pieces in 18-carat yellow gold and 25 pieces in stainless steel, each paired with an alligator flank leather strap—ink blue for the gold version and saddle brown for the steel. Combining a modernist-style numeral 12 with exclamation-shaped hour markers at the quarter positions, the watch serves as a modern embodiment of a daring yet functional tradition.

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Chronoswiss proudly unveils the Neo Digiteur, a bold reinvention of an icon that first challenged convention two decades ago. Originally introduced in 2005 by founder Gerd-Rüdiger Lang, the Digiteur was a mechanical digital timepiece—a watch without hands—that defied expectations and celebrated horological artistry. Today, the Neo Digiteur returns sharper, stronger, and more modern than ever, crafted in stainless steel and infused with the pioneering spirit of its predecessor.

The design is architectural and tailored, with a rectangular case measuring 48 by 30 millimeters. Its sculptural lines are accentuated by sandblasted and polished finishes, while a reimagined onion-style crown ensures both elegance and ergonomics. At its heart lies a rare complication: a jumping hour regulator without hands. Time is displayed through three apertures—the jumping hour at twelve o’clock, digital minutes at center, and running seconds at six o’clock—creating a mechanical digital regulator that feels futuristic yet deeply analog.

Powering this display is the hand-wound Chronoswiss Caliber C.85757, beating at 3 Hz and offering a 48-hour power reserve. Developed entirely in-house, the movement features artisanal details such as hand-guilloché bridges and a sapphire crystal caseback that pays tribute to historic Fleurier calibers. Two limited editions express distinct personalities: Neo Digiteur Granit with an anthracite dial and Neo Digiteur Sand with a warm 4N sandblasted finish. Each version is limited to just 99 pieces, making the Neo Digiteur not a reproduction, but a true reinvention—a collector’s piece and a statement of mechanical artistry.

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