Moritz Grossmann proudly unveils the TREMBLAGE Green, a limited edition timepiece that redefines elegance through heritage craftsmanship and a bold new aesthetic. Available in rose gold and white gold, with only 8 pieces of each, this extraordinary watch is a tribute to the art of traditional engraving and the timeless beauty of horological design.

At the heart of the TREMBLAGE Green lies a dial crafted from German silver, meticulously hand-engraved using the rare tremblage technique. This centuries-old method creates a fine, matte texture that diffuses light with a soft, meditative glow. The dial is finished in a deep, complex green—symbolizing renewal, harmony, and depth—making it a standout piece that remains understated and refined.

Encased in a 41 mm case of 750/000 rose or white gold, the watch is powered by the in-house calibre 100.1, a hand-wound movement visible through a sapphire crystal case back. Every component is hand-finished, from the Glashütte ribbing and polished bevels to the engraved balance cock. The watch features hours, minutes, and a small seconds display with a stop-second function, all operated via a gold crown and lateral pusher.

Completing the look is a hand-stitched dark brown alligator leather strap, offering both comfort and sophistication. The TREMBLAGE Green is not just a timepiece—it is a celebration of “Schönstes deutsches Handwerk” (the finest German craftsmanship), brought to life with modern sensibility and timeless appeal.

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A faithful tribute to the original model, the Tinkler 1958 repeater celebrates Angelus’s rich heritage of striking watches. Driven by a self-winding quarter-repeater movement, this double limited edition, available in gold or steel, continues the tradition of measuring instruments that built the manufacture’s reputation. From its establishment in 1891, the name Angelus has been synonymous with the chiming of a bell, a legacy reinforced by one of the Maison's first patents for a silent strike governor in 1896. Since then, repeater mechanisms have remained at the heart of Angelus collections, even being adapted into Braille-repeating watches for blinded soldiers during the First World War.

Inspired by this glorious history, Angelus is reissuing one of its rarest and most refined models: the Tinkler, based on the original 1958 edition. In 1958, Angelus filed a patent for a striking wristwatch, which was immediately followed by the original Tinkler—a pioneer of water-resistant, self-winding quarter-repeater watches. The new 38-mm case charms with a decidedly 1950s aesthetic that is clean, understated, and elegant. At 9 o’clock, the crown is balanced by a pusher that activates the quarter repeater, serving as a functional and historical hallmark of this legendary model.

The Tinkler 1958 edition is driven by the new Angelus A600 calibre, a mechanical self-winding movement that beats at 4Hz and offers a 70-hour power reserve. On request, the pusher at 9 o’clock triggers a sequence where each hour is marked by a clear strike on the first gong, followed by a double strike on two gongs to signal each quarter hour. The movement's finishing demonstrates the watchmaker's extreme attention to detail, featuring a snail-finished main plate, palladium-plated bridges adorned with Côtes de Genève, and a tungsten sunburst oscillating weight.

This new release is part of the La Fabrique line, where Angelus continues its legacy as a maker of specialty watches designed for specific activities or professional uses. The Tinkler 1958 is limited to 15 pieces in 18-carat yellow gold and 25 pieces in stainless steel, each paired with an alligator flank leather strap—ink blue for the gold version and saddle brown for the steel. Combining a modernist-style numeral 12 with exclamation-shaped hour markers at the quarter positions, the watch serves as a modern embodiment of a daring yet functional tradition.

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Greubel Forsey introduces the final and most exclusive editions of the Balancier Convexe S²: one in black ceramic with 5N red gold, and one in white ceramic, each strictly limited to 11 pieces.
These editions conclude a calibre developed through five years of mechanical and architectural exploration, with production set to cease permanently in 2026.

The Convexe case (41.5 mm) and movement were conceived as a single architectural whole, integrating Greubel Forsey’s signature 30° inclined balance wheel system as the visual and chronometric centre. The openworked movement features 301 components, including a 68‑part escapement platform, and is powered by two rapid-rotation coaxial barrels delivering a 72‑hour chronometric reserve.

Finishing remains uncompromising: frosted titanium bridges, polished bevels, hand‑finished countersinks, and meticulous transitions — even on invisible components.

Two Final Interpretations
Black Ceramic & 5N Red Gold
A dramatic contrast of dark architecture framed by ceramic, with red gold adding warmth and sculptural depth.The interplay of matte and polished surfaces enhances the piece’s three‑dimensional form

White Ceramic
A purist, graphic expression that highlights the structural geometry of the movement through light and shadow.The monochromatic case offers clarity, openness and a distinctly technical aesthetic.

Both editions preserve the characteristic S² display: suspended hours/minutes bridge, small seconds, and sector power‑reserve indication beneath a curved sapphire crystal.

This launch marks the concluding chapter of the Balancier Convexe S²’s five‑year evolution — not an iteration, but a final statement. As of 2026, Greubel Forsey will begin a gradual shift toward an almost entirely new collection, retiring earlier calibres with intention and ceremony rather than quiet discontinuation.
 

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Arnold & Son introduces a radiant new chapter in feminine watchmaking with the Perpetual Moon 38 White Gold Aventurine Edition. Limited to just 18 pieces, this poetic timepiece captures the magic of moonlight and the brilliance of the stars.

Encased in 18-carat white gold, the 38 mm watch features a dial crafted from blue aventurine glass, evoking a starlit sky. The bezel, lugs, and crown are adorned with 80 brilliant-cut diamonds, while 12 marquise-cut diamonds mark the hours. At its heart lies a mother-of-pearl moon disc, framed by hand-painted constellations of Ursa Major and Cassiopeia, enhanced with Super-LumiNova for a celestial glow.

Powered by the A&S1612 manual-winding movement, the watch offers a 90-hour power reserve and an astronomically precise moon phase complication that deviates by only one day every 122 years.

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gérald genta continues its legacy of audacious elegance with the launch of two new references in the Gentissima Oursin collection: Blue Meteorite and Green Meteorite. These timepieces mark a bold evolution of the iconic design first imagined by Mr. Gérald Genta in 1994, inspired by the delicate yet resilient form of the sea urchin.

A Design Born from Nature and the Cosmos
The Gentissima Oursin 41 features a 41mm sandblasted Grade 5 titanium case, meticulously set with 234 white gold beads, echoing the organic geometry of the sea urchin. At its heart lies a dial carved from a fragment of meteorite—a material born from the stars—making each watch a unique, one-of-one creation. The natural crystalline structure of meteorite ensures that no two dials are alike, offering collectors a truly rare expression of artistry.

Sporty-Chic Meets Haute Horlogerie
Combining rubber straps and titanium architecture with luxurious gold accents, the Gentissima Oursin 41 is designed for everyday wearability without compromising sophistication. A curved sapphire crystal, faceted with a subtle octagonal profile, protects the dial and enhances its dynamic character. Gold hands filled with Super-LumiNova featuring a pink hue—a tribute to Mr. Genta’s favorite color—ensure legibility and elegance.

Mechanical Excellence
Inside beats the Zenith Elite GG-005 automatic movement, boasting a 50-hour power reserve, 4 Hz frequency, and an 18K yellow gold oscillating mass, visible through a sapphire caseback. With 50m water resistance and a comfortable rubber strap, this timepiece is as practical as it is artistic.

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