According to the traditional Chinese calendar, 2025 is the Year of the Wooden Snake and will be ruled by the words perspicacity, intelligence and prudence. In its honour, Arnold & Son is creating Perpetual Moon 41.5 “Year of the Snake”: a series of eight timepieces in red gold. Combining a manufacture calibre with a large astronomical moon – one of its specialities – with an aventurine glass dial base – one of its signatures – and a wealth of delicately worked artistic crafts – one of its recurring themes – Arnold & Son presents a masterful interpretation of the Year of the Snake.

The Year of the Wooden Snake starts on 29 January 2025. Under this element, the reptile foretells transformation and a need for self-improvement, combined with energy and introspection. It is a year of negotiations, shrouded in mystery and secrecy. Arnold & Son is celebrating the Chinese zodiac calendar with Perpetual Moon 41.5 “Year of the Snake”.

Black is the absence of light. This is the physical definition of a colour that is synonymous with classicism and elegance. At Moritz Grossmann, black is used to form stylish contrasts and also serves as a testament to the highest standards of craftsmanship. The limited-edition ENAMEL ROMAN Vintage, for example, has an enamel dial whose manufacture presents multiple challenges. With this, Moritz Grossmann has chosen the occasion of its 16th birthday to once again shine the spotlight on the expertise of the ateliers and workshops in Glashütte.

Tradition requires renewal, otherwise it remains stagnant in the past and cannot survive. This is an approach that Moritz Grossmann has embodied since 2008: the manufactory opened 16 years ago as a tribute to one of the most exceptional personalities in the history of watchmaking in Glashütte. Moritz Grossmann was an innovative watchmaker and, with the founding of the German Watchmaking School in Glashütte, influenced a generation of artisans.

His values and vision now live on in the Moritz Grossmann manufactory, which crafts a small but exquisite collection of sophisticated watches that always remain true to the standards of the man who gave the manufactory its name. Characteristics of these timepieces include exclusive manufactory movements with innovative details that are designed, made and finely decorated in-house in the company’s own workshops. The highest of standards also come into play when finishing the watches, as impressively demonstrated by the special model marking the 16th anniversary of the manufactory.
 

Instrument de Vitesse, a new opus in the La Fabrique collection, revives the golden age of timed races. This single push-piece chronograph seems to have been plucked from the dashboard of a vintage GT car. It is equipped with a single timing hand – the centre seconds hand – and can time a maximum of one minute. With its sleek and refined retro sports look, Instrument de Vitesse is intended for enthusiasts of watchmaking history and culture. Housed in a 39-mm steel case, its 4.20 mm manually wound Manufacture calibre ensures that the finished timepiece is less than 10 mm thick. Instrument de Vitesse is available with an ivory-white or ebony-black dial in two limited series of 25 timepieces each.

Appearances can sometimes be deceptive. At first glance, Instrument de Vitesse does not appear to be a classic chronograph. With its three central hands, it looks like a watch... with three hands, but the tachymeter scale running around the outer edge of the dial reveals its chronometric function. For this is a chronograph presented in its purest expression, dedicated to timing short bursts – a measuring instrument designed to take average speed readings over a maximum of 60 seconds. This, in turn, casts new light on the crown, which also acts as the chronograph’s single push-piece to set the slender centre seconds hand in motion.

The omnipresent grey of titanium extends into the sunray-brushed grey of the "Magnetic Silver" dial. Chronodate Titanium expresses its technical sophistication in an ensemble where deep black contrasts with a hint of red. With this ultra-sporty, understated and intense new colour scheme, Chronodate Titanium catches the eye, fixes it and draws it towards the horizon.

Angelus introduces a new shade of its self-winding chronograph with peripheral date. Chronodate welcomes the silver-grey "Magnetic Silver" in a tone-on-tone effect. The harmonious blend between titanium case, titanium bracelet or black rubber strap, rhodium-plated hands and the dial surface creates a technical monochrome impression. This grey continues into black, revealing the movement container and then the carbon composite push-pieces. This black ensemble culminates in the two counters, one a 30-minute chronograph totaliser and the other with a small seconds.

Chronodate is a fusion of two different styles: Angelus, the historic brand and its Swiss watchmaking heritage, and Angelus, the technical, modern brand with a penchant for complications. With this colour combination, the house presents the most striking version of this chronograph collection.

Arnold & Son, a benchmark in classic fine watchmaking, is exploring uncharted territory on the map of horology. Longitude Titanium is a sports-chic COSC-certified chronometer with a 42.5 mm titanium case. The dial of Longitude Titanium is vertical satin-finished in a continuation of the bracelet’s finish, which is subtly intersected by the polished edges of its links. With a power-reserve display at 12 o’clock and an imposing seconds counter at 6 o’clock, Longitude Titanium pays tribute to John Arnold’s marine chronometers, his revolutionary vision and his decisive role in calculating longitude at sea.
The aesthetics and construction of John Arnold’s marine chronometers were necessarily classic and functional, and were adapted to the harsh conditions of the high seas. Longitude Titanium, a contemporary interpretation of the great English watchmaker’s work, coherently combines this naval heritage with a refined design and highly resistant materials. The movement’s ‘chronometer’ certification is an essential addition to this scene, with its historical ties to Arnold’s creations and his quest for accuracy.