Waxing, gibbous, blue: the power of the moon imposes itself on the Earth and even more so, on the seas. Perpetual Moon 38 Night Tide celebrates the fluctuating pull of this celestial body on the water. A large moon disc appears over vast waves. Made of mother-of-pearl and ruthenium, they rise one after the other in a cascade of soft curves. This scene, illuminated by diamonds, celebrates the femininity, elegance and evocative power of Arnold & Son’s watchmaking.

Powerful and plentiful, the waves of Perpetual Moon 38 Night Tide herald heavy seas. In the blue of the night, the tide is at its highest, and so are the rollers. The moon, capricious and triumphant, imposes its will. The gradations of the water are topped with a sparkling foam. Beneath the peaceful light of Selene, the ocean rages on.

Arnold & Son interprets this powerfully symbolic scene through mechanisms and minerals. The astronomical moon complication of Perpetual Moon 38 Night Tide is adorned in mother-of-pearl and ruthenium: a delicate, evocative composition that fully expresses the dial-makers’ expertise. The mother-of-pearl marquetry, ruthenium crystal inlays and abundance of diamonds symbolise the painstaking care lavished on the women's collections of Switzerland’s most English brand.

Matt and refined with vintage style: Instrument de Vitesse presents the purest expression of a chronograph, with no sub-counters. The collection sets the tone with its Indianapolis blue and Silverstone grey dials. Its finely printed tachymeter scale is dedicated to speed and is as functional as a dashboard instrument.

Things are not always what they seem. At first glance, Instrument de Vitesse could be a highly refined three-hand watch. Only its discreet tachymeter scale, printed on the edge of the dial, and its name point us in the right direction: this is a chronograph designed for short bursts, an instrument for measuring average speed over a maximum period of 60 seconds. The purpose of the button on the crown thus becomes clear: a single push-piece that triggers the slender direct-drive central seconds hand.

Instrument de Vitesse, a new opus in the La Fabrique collection, revives the golden age of timed races. This single push-piece chronograph seems to have been plucked from the dashboard of a vintage GT car. It is equipped with a single timing hand – the centre seconds hand – and can time a maximum of one minute. With its sleek and refined retro sports look, Instrument de Vitesse is intended for enthusiasts of watchmaking history and culture. Housed in a 39-mm steel case, its 4.20 mm manually wound Manufacture calibre ensures that the finished timepiece is less than 10 mm thick. Instrument de Vitesse is available with an ivory-white or ebony-black dial in two limited series of 25 timepieces each.

Appearances can sometimes be deceptive. At first glance, Instrument de Vitesse does not appear to be a classic chronograph. With its three central hands, it looks like a watch... with three hands, but the tachymeter scale running around the outer edge of the dial reveals its chronometric function. For this is a chronograph presented in its purest expression, dedicated to timing short bursts – a measuring instrument designed to take average speed readings over a maximum of 60 seconds. This, in turn, casts new light on the crown, which also acts as the chronograph’s single push-piece to set the slender centre seconds hand in motion.

Moonlight illuminates a botanical green dial. The “Fern Green” version of Perpetual Moon 41.5 borrows the cool tones of the moon. The paleness of the platinum, the freshness of the fern green, and the midnight blue of the sky create an original flow of colours.

Maturity, diversity and mechanical exclusivity: the Perpetual Moon collection is constantly being enriched with new creations, consistently reaffirming the watchmaking and artistic talents of Arnold & Son. Following two other editions, one with salmon pink accents and another in sky blue, Perpetual Moon 41.5 Platinum is now available in this limited fern green version of 28 timepieces.

Its hue is inspired by the unique colour of the fern, an undergrowth plant found in abundance in the English gardens of Cornwall, the county where John Arnold was born.