A contemporary expression of classical proportion, revealing the architecture of high watchmaking
 

DANIEL ROTH presents the Extra Plat Rose Gold Skeleton, a new interpretation of one of the Maison’s most emblematic creations. Remaining faithful to the proportions and restrained elegance of the Extra Plat, this latest iteration introduces skeletonisation for the first time in the brand’s modern revival, allowing the inner architecture of the watch to take centre stage.

Conceived in the spirit of La Montre Objet d’Art, the Extra Plat Rose Gold Skeleton preserves the calm geometry of the double‑ellipse case while offering a transparent view into the movement, transforming technical construction into a visual and artistic experience.

The Extra Plat: A signature revisited
Simplicity, when executed with absolute precision, has long been central to the identity of DANIEL ROTH. During the early years of his independent career, Mr. Roth considered the Extra Plat a complication in its own right, favouring it for the technical discipline required to achieve true thinness and perfect proportion.

Defined by its double‑ellipse case and balanced architecture, the Extra Plat became a cornerstone of the Maison’s aesthetic vocabulary in the early 1990s. While Daniel Roth produced skeletonised versions of select complications during that period, the Extra Plat itself was never skeletonised. This new creation therefore marks a respectful yet meaningful evolution, expanding the expressive range of the Extra Plat while remaining faithful to its original spirit.

The DR002SR calibre: a skeletonised rose gold heart
At the centre of the Extra Plat Rose Gold Skeleton is the new manually wound calibre DR002SR, developed and manufactured entirely at La Fabrique du Temps Louis Vuitton under the supervision of master watchmakers Michel Navas and Enrico Barbasini.

Based on the DR002, the DR002SR has been re‑engineered from the ground up specifically for skeletonisation. The bridges and plates have been reshaped to maximise openness and visual clarity, while preserving structural rigidity and chronometric performance. Crafted in solid 18k 5N rose gold, the movement mirrors the warmth of the case and provides an ideal canvas for traditional hand finishing.

Transparency in motion
Skeletonisation is an exercise in reduction and balance. With the DR002SR, DANIEL ROTH brings this principle to its highest expression. The calibre reveals a wealth of hand‑executed details, including numerous hand‑polished internal angles, black‑polished steel components, and meticulously bevelled bridges—finishes that can only be achieved by skilled artisans and never by machine.

Despite its openworked construction, the DR002SR retains a power reserve of 65 hours and a frequency of 4 Hz, underscoring the Maison’s commitment to both technical integrity and timeless aesthetics.

Slim proportions, uncompromised structure
Housed in a 38.6 × 35.5 mm double‑ellipse case crafted in 18k rose gold, the Extra Plat Rose Gold Skeleton measures just 6.9 mm in thickness. This exceptional slenderness ensures that the watch remains true to the Extra Plat philosophy of discreet elegance and effortless wearability.

Produced in extremely limited numbers each year, the Extra Plat Rose Gold Skeleton is intended for collectors who value traditional high watchmaking expressed with clarity, restraint, and depth.

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The watchmaker from Lucerne presents a fusion of innovation, heritage, and the beauty of nature.

Chronoswiss is thrilled to announce the release of two new masterpieces in the Strike Two series: the "Strike Two Terra" and the "Strike Two Highland." Each limited to just 100 pieces, these exclusive timepieces represent a harmonious blend of traditional craftsmanship, innovative design, and the breathtaking allure of Earth's most inspiring landscapes.

Building on the pioneering spirit of the '90s Chronoswiss Tora, the Strike Two series pays homage to the brand's heritage with its unique horizontal regulator setup. The new Terra and Highland models serve as gateways to the future of timekeeping in Lucerne, embracing the past while forging ahead with groundbreaking artistry.

Chronoswiss is thrilled to announce the launch of its latest horological marvel, the Delphis Sub Zero. This all-blue wonder is a testament to the eternal beauty of ice and glaciers, merging innovative design with meticulous craftsmanship – with a cool twist.

The Delphis Sub Zero is an extraordinary timepiece encased in a 42mm CVD-coated blue stainless-steel case, perfectly complemented by a matching blue rubber strap. This icy blue ensemble creates a striking visual that is both bold and sophisticated, like an explorer of the frozen wilderness, capturing the essence of eternal ice.

Black is the absence of light. This is the physical definition of a colour that is synonymous with classicism and elegance. At Moritz Grossmann, black is used to form stylish contrasts and also serves as a testament to the highest standards of craftsmanship. The limited-edition ENAMEL ROMAN Vintage, for example, has an enamel dial whose manufacture presents multiple challenges. With this, Moritz Grossmann has chosen the occasion of its 16th birthday to once again shine the spotlight on the expertise of the ateliers and workshops in Glashütte.

Tradition requires renewal, otherwise it remains stagnant in the past and cannot survive. This is an approach that Moritz Grossmann has embodied since 2008: the manufactory opened 16 years ago as a tribute to one of the most exceptional personalities in the history of watchmaking in Glashütte. Moritz Grossmann was an innovative watchmaker and, with the founding of the German Watchmaking School in Glashütte, influenced a generation of artisans.

His values and vision now live on in the Moritz Grossmann manufactory, which crafts a small but exquisite collection of sophisticated watches that always remain true to the standards of the man who gave the manufactory its name. Characteristics of these timepieces include exclusive manufactory movements with innovative details that are designed, made and finely decorated in-house in the company’s own workshops. The highest of standards also come into play when finishing the watches, as impressively demonstrated by the special model marking the 16th anniversary of the manufactory.
 

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.