Chronoswiss expands its avant‑garde Space Timer collection with the new SPACE TIMER GRAVITY, a 44mm mechanical creation inspired by the invisible yet powerful force of gravity. Limited to 50 pieces, the watch transforms cosmic phenomena into a visually architectural dial experience.

A Dial Where Light, Matter, and Mechanics Interact
The dial features a partly hand‑guilloché surface finished with a colour‑shifting CVD coating that transitions between deep green and oceanic blue depending on light — evoking the sensation of viewing a planet from orbit. A striking moon at 9 o’clock is produced through sophisticated laser work based on an original NASA photograph, revealing cratered textures with exceptional depth.

Floating above the landscape are transparent ITR2 hour and date rings that appear suspended in orbit. Beneath them, the exposed gear train is framed by a baby‑blue bridge, echoing the hue of the seconds hand and adding contemporary contrast to the cosmic scene.

A Case Built for Orbit
The 44mm matte‑grey stainless‑steel case delivers a modern, technical presence while allowing the dial’s dynamic surfaces to take centre stage. It pairs with a light grey nubuck leather strap for a refined, futuristic aesthetic.

The Engine Behind the Cosmos
Inside beats the Chronoswiss Caliber C.308, an automatic movement operating at 4 Hz with a 42‑hour power reserve. Mechanics remain proudly visible, emphasising the interplay between the unseen forces of gravity and the precise regulation of time.

A Limited Universe
Limited to 50 pieces worldwide, each SPACE TIMER GRAVITY captures the dance of light across its shifting dial, making every piece uniquely personal.

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Angelus unites the chronograph's key functional scales—telemeter, pulsometer, and tachymeter—in a single design. True to its heritage as a maker of functional timepieces, Angelus brings together the expertise developed through its previous instruments in the Instrument de Mesures. Produced in two limited editions of 25 pieces, this watch is a genuine instrument of measurement, designed to calculate elapsed time, the speed of sound, distance travelled and heart rate. Using a single chronograph hand, it integrates three functions, each with its own dedicated scale. Housed in a 39 mm steel case, its three-dimensional dial is both highly legible and meticulously graduated, giving the Instrument de Mesures the character of an authentic tool watch with a distinctive vintage charm and singular identity.

One Instrument, Multiple Measurements
Integrating these three scales alongside the essential minute track required a particularly sophisticated design approach. The amount of information to be displayed, combined with the need for legibility and clarity, led Angelus to adopt a distinct colour code for each function. This arrangement is reinforced by a three-dimensional dial construction, featuring a domed centre and outer edge connected by a sloping intermediate section. The telemetric scale is situated on the highest level at the periphery of the dial. The pulsometer extends across the angled intermediate section, and the tachymeter, in the form of a spiral, is located closest to the hands.

The In-House A5000 Chronograph Calibre
The Instrument de Mesures is powered by Angelus's in-house A5000 chronograph calibre. Its classical architecture showcases numerous intricately shaped components, providing an ideal canvas for high-end finishing. Faithful to the great traditions of chronograph watchmaking, the A5000 incorporates a column wheel and a horizontal clutch, both defining features of traditional chronographs.
 

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Armin Strom extends its golden era with the One Week Skeleton Rose Gold, a new interpretation of its architectural One Week design. This fully skeletonised masterpiece reveals the depths of its mechanics, paying tribute to Mr. Armin Strom’s pioneering artistry in skeletonisation—a craft at the heart of the brand’s philosophy and heritage.

For the first time, the in-house calibre appears in a solid 18K rose gold case, enriching the collection with a warmer character. Rose gold-coloured finger bridges, hands, and applied indexes mirror the tone of the case, while a sleek black textile strap provides a refined modern contrast. Measuring 41 mm in diameter, the case remains compact and ergonomic, while its skeletonised architecture gives the watch a distinctive presence—a harmonious balance of technical craftsmanship and precious metal elegance.

Seven Days of Precision
At its heart lies the hand-wound Calibre ARM21-S, a reinterpretation of Armin Strom’s first in-house calibre. Two mainspring barrels work in series to deliver a steady flow of energy for seven days, wound by two ratchet wheels visible on the dial side—a distinctive Armin Strom signature. Operating at 3.5 Hz, the calibre ensures consistent precision and stability in daily wear.

Inspired by historical pocket watches, the conical power reserve mechanism is complemented by a 3D power reserve indicator, displaying remaining energy with exceptional clarity. Central hours and minutes keep the display symmetrical, while a skeletonised small seconds at 9 o’clock adds an engaging sense of motion.

Transparency in Gold
Every component of the Calibre ARM21-S is decorated by hand, reflecting Armin Strom’s dedication to traditional craftsmanship. Hand-polished bevels, Geneva stripes, circular graining, and finely finished screw sinks demonstrate uncompromising attention to detail. Each One Week is assembled twice—a hallmark of the brand’s commitment to mechanical precision and aesthetic integrity.

Limited to just 50 pieces worldwide, the One Week Skeleton Rose Gold continues Armin Strom’s modern gold chapter—a celebration of mechanical transparency, precision, and craft.

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The year 2026 marks a historic milestone for the Moritz Grossmann manufactory in Glashütte, as it celebrates the 200th birthday of its visionary founder and namesake, born on March 27, 1826. A genius watchmaker, scientist, author, and initiator of the German Watchmaking School, Grossmann profoundly shaped the craft of horology and the fate of his hometown. Rather than merely imitating historical concepts, the modern manufactory honors his legacy by blending his cutting-edge philosophy with modern engineering. This dedication to technological perfection and exceptional aesthetics cements its place among the world's elite elite watchmakers.

To commemorate this bicentennial occasion, the brand has unveiled its third anniversary special edition: the TEFNUT Silver-Plated by Friction. Debuting on April 29, 2026, this launch presents an exclusive premiere for collectors—the very first time that the sleek TEFNUT model is made available in a stunning 750/000 yellow gold case, alongside a 750/000 white gold version. Both variations pay homage to their heritage by incorporating an "1826" engraving on the balance cock and showcasing a vintage 1875 "M. GROSSMANN" logo on the dial.

At the heart of the timepiece lies the ultra-flat manufactory calibre 102.1, a hand-wound movement measuring just 4 mm in height and 26 mm in diameter. This compact footprint enables the watch to retain its remarkably elegant, low-profile silhouette. The calibre embodies classic Grossmann pillar movement architecture with a 3/5 plate, incorporating his signature raised gold chatons, an optimized mainspring barrel with bilateral jewel bearings, and a stepped balance cock with a micrometer screw. Each component is meticulously hand-finished to ensure absolute technical and visual distinctiveness.

The defining aesthetic feature of this model is its striking dial, which boasts a rare "silver-plated by friction" finish. Executed entirely by hand in the brand's ateliers, a master artisan brushes a specialized paste of silver powder, salt, cream of tartar, and water onto the brass surface to create a velvety, fine-grained texture that beautifully diffuses light. To provide a contemporary contrast, the numerals, minute scale, and historic logo are rendered in a vibrant green hue. Hovering above are extraordinarily fine, hand-crafted lance-shaped hands, polished in gold for the yellow gold model and annealed to a brown-violet tone for the white gold edition. Each variation is strictly limited to just 12 pieces worldwide.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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