Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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The tourbillon has long been regarded as one of the most fascinating complications in the history of watchmaking. Moritz Grossmann now reinterprets this horological icon with two extraordinary creations: TOURBILLON Titanium and TOURBILLON Tremblage. These timepieces embody the manufactory’s philosophy of blending traditional craftsmanship with contemporary aesthetics.

The TOURBILLON Titanium combines the technical sophistication of a flying three-minute tourbillon with the modern appeal of a titanium case. Its solid silver dial, adorned with a fine grain d’orge guilloche pattern, reflects the artistry of hand-guided engraving techniques. The result is a watch that is both lightweight and visually striking, offering a perfect balance of durability and elegance.

The TOURBILLON Tremblage, on the other hand, celebrates the beauty of historical handcraft. Its warm rose-toned dial is meticulously engraved using the traditional tremblage technique, creating a unique matte texture that softens light and enhances depth. Paired with a white gold case, this model exudes timeless sophistication while showcasing the manufactory’s dedication to artisanal excellence.

Both models are powered by the hand-wound calibre 103.0, featuring a flying three-minute tourbillon and patented innovations for precision timekeeping. Every component is finished by hand, from the engraved plates to the polished screws set in gold chatons, reflecting the highest standards of Glashütte watchmaking. These creations are more than timepieces—they are works of art that unite heritage and modernity in perfect harmony.

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Arnold & Son continues its mastery of ornamental stones with the launch of the Ultrathin Tourbillon Onyx. Available in 18-carat 5N red gold or 950 platinum, this exquisite timepiece is limited to just eight pieces per version. The design features a broad dial crafted from polished natural onyx, offering an intense black backdrop that beautifully contrasts with a unique matt-finished sub-dial.

At the heart of this creation is the A&S8300 manufacture calibre, which stands as one of the slimmest flying tourbillon movements in the industry at only 2.97 mm thick. Technical refinements to the regulating organ and tourbillon cage have boosted the power reserve to an impressive 100 hours. The flying tourbillon at 6 o'clock remains a visual highlight, featuring a hand-engraved yellow gold bridge and a cage design inspired by John Arnold’s historic maritime chronometers. The watch is completed with a hand-stitched black alligator strap and a matching precious metal clasp.

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Greubel Forsey introduces the final and most exclusive editions of the Balancier Convexe S²: one in black ceramic with 5N red gold, and one in white ceramic, each strictly limited to 11 pieces.
These editions conclude a calibre developed through five years of mechanical and architectural exploration, with production set to cease permanently in 2026.

The Convexe case (41.5 mm) and movement were conceived as a single architectural whole, integrating Greubel Forsey’s signature 30° inclined balance wheel system as the visual and chronometric centre. The openworked movement features 301 components, including a 68‑part escapement platform, and is powered by two rapid-rotation coaxial barrels delivering a 72‑hour chronometric reserve.

Finishing remains uncompromising: frosted titanium bridges, polished bevels, hand‑finished countersinks, and meticulous transitions — even on invisible components.

Two Final Interpretations
Black Ceramic & 5N Red Gold
A dramatic contrast of dark architecture framed by ceramic, with red gold adding warmth and sculptural depth.The interplay of matte and polished surfaces enhances the piece’s three‑dimensional form

White Ceramic
A purist, graphic expression that highlights the structural geometry of the movement through light and shadow.The monochromatic case offers clarity, openness and a distinctly technical aesthetic.

Both editions preserve the characteristic S² display: suspended hours/minutes bridge, small seconds, and sector power‑reserve indication beneath a curved sapphire crystal.

This launch marks the concluding chapter of the Balancier Convexe S²’s five‑year evolution — not an iteration, but a final statement. As of 2026, Greubel Forsey will begin a gradual shift toward an almost entirely new collection, retiring earlier calibres with intention and ceremony rather than quiet discontinuation.
 

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