Arnold & Son unveils the Perpetual Moon 41.5 Cliff Grey Edition, a poetic tribute to the cliffs of Cornwall and the legacy of John Arnold, the renowned marine chronometer-maker. This limited edition of 28 pieces in 18-carat red gold reflects the brand’s deep connection to celestial navigation and English heritage.

The dial is adorned with the exclusive Stellar Rays motif, a textured pattern that plays with light through layered transparent lacquer. Its Cliff Grey tone evokes the misty British coastline, while the moon phase display—among the largest in watchmaking—glows in mother-of-pearl enhanced with Super-LumiNova. Set against a midnight-blue sky, the moon is surrounded by hand-painted constellations, Ursa Major and Cassiopeia, symbols of guidance and exploration.

The case, measuring 41.5 mm in diameter, is sculpted with refined lugs and a slim bezel that opens up the dial to its full celestial display. On the reverse, a secondary moon-phase indicator allows for precise adjustment of the moon’s age.

Inside, the manually wound A&S1512 calibre offers a 90-hour power reserve and tracks lunar cycles with remarkable precision. So accurate is its mechanism that it would take 122 years of continuous operation to accumulate a single day’s deviation from the actual lunar cycle.

Crafted entirely in-house in La Chaux-de-Fonds, the movement is finished with Geneva stripes, blued screws, and circular graining. The watch is completed with a warm grey alligator leather strap and a matching red gold pin buckle.

The Cliff Grey Edition is a refined expression of Arnold & Son’s dedication to craftsmanship, astronomy, and timeless design.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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Arnold & Son has unveiled its new "Perpetual Moon 41.5 Steel Colours of the Moon" collection, a series of highly exclusive, limited-edition timepieces inspired by the changing celestial hues of Earth's natural satellite. Detailed in the official release document, "ENG_A&S PM 41.5 Steel Colours of the Moon.doc", the collection features three distinct versions—the Blue Moon, Golden Moon, and Red Moon—each celebrating a unique atmospheric or seasonal phenomenon that alters the Moon's appearance and has fascinated civilisations throughout history.

Reinterpreting the iconic Perpetual Moon collection, these new models introduce a 41.5 mm stainless-steel case that balances horological exclusivity with everyday versatility. In a watchmaking first, Arnold & Son has applied a pioneering Physical Vapour Deposition (PVD) treatment directly onto precious mother-of-pearl. This innovative process creates deep, shifting reflections across the dials and moon-phase skies, showcasing the natural organic layers of the material with patterns that recall the flowing grain of Damascus steel.

The astronomical precision of the moon phase is enhanced by Super-LumiNova hidden beneath the colored mother-of-pearl moon disc, accompanied by hand-painted luminescent constellations of Cassiopeia and Ursa Major—a poetic tribute to historical mariners who relied on them for navigation. Bringing this celestial mechanics to life is the in-house A&S1512 manual-winding calibre. This movement provides a generous 90-hour power reserve and displays meticulous luxury finishes, including radiating Côtes de Genève and a secondary moon-phase indicator, all visible through the sapphire crystal case back.

Each of the three references is paired with a matching hand-stitched alligator leather strap and secured with a stainless-steel pin buckle. To maintain their extreme exclusivity, production is strictly limited to just 18 pieces per version.
 

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Independent manufacture Greubel Forsey has unveiled the Balancier QM ($GF09cm$), marking a historic milestone for the workshop by officially naming its highest, most uncompromising hand-finishing standard: Qualité Musée (Museum Quality). While this meticulous level of execution has been quietly embedded into every single timepiece crafted by the Atelier since its founding in 2004, the Balancier QM is the first model to formally carry the designation. Driven forward by a dedicated research wing within the brand’s proprietary EWT (Experimental Watch Technology) Laboratory, this standard mandates that every individual component, whether fully visible through the sapphire crystals or buried deep within the gear train, must hold up as a standalone work of art.

The mechanical architecture of the Balancier QM is a tour de force of in-house micro-engineering and innovation. Most notably, the timepiece features a specialized hairspring manufactured entirely in-house from the raw alloy stage up—a rarity in modern watchmaking accomplished via restored antique machinery. This is paired with an impressive $12.60\text{ mm}$ variable-inertia balance wheel and a cutting-edge bi-level escapement system that utilizes unique convex pallet-jewels, allowing light to softly diffuse through the rubies rather than abruptly reflecting off flat surfaces. Illustrating the immense labor required for the Qualité Musée standard, the steel balance wheel bridge alone requires seven distinct hand-finishing techniques, ranging from flawless mirror barrel polishing to extra-large $0.40\text{ mm}$ hand-polished bevels.

Visually, the timepiece presents an intricately layered, three-dimensional landscape neatly organized within a highly compact 39.60mm white gold case. The movement architecture encourages deep visual exploration; the escapement is nestled into the lowermost depths of the chassis, while the eye naturally ascends past a high-set small seconds sub-dial, flame-blued polished steel hands, and a raised chapter ring. Beneath this upper track, a power-reserve indicator slips mysteriously across a dedicated sector to track the watch's 72-hour chronometric power delivery, sustained by two fast-rotating, series-coupled mainspring barrels. True to Greubel Forsey’s signature underplayed luxury, the words "Qualité Musée" are entirely absent from the dial, hidden instead on a secret internal plate deep inside the movement.

Limited to just 33 exclusive timepieces worldwide, the Balancier QM represents a deliberate strategic pivot for Greubel Forsey toward smaller, more wearable case dimensions without sacrificing an ounce of technical complexity. The manufacture openly acknowledges that achieving this level of structural perfection across all 298 movement parts demands an extraordinary expenditure of time, which will intentionally reduce the company's overall production volume heading into 2027. Looking ahead, the Qualité Musée standard will serve as the foundation for a series of compact releases, including a highly anticipated movement under development at the EWT lab featuring a gear train crafted entirely from solid gold.
 

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