Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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A faithful tribute to the original model, the Tinkler 1958 repeater celebrates Angelus’s rich heritage of striking watches. Driven by a self-winding quarter-repeater movement, this double limited edition, available in gold or steel, continues the tradition of measuring instruments that built the manufacture’s reputation. From its establishment in 1891, the name Angelus has been synonymous with the chiming of a bell, a legacy reinforced by one of the Maison's first patents for a silent strike governor in 1896. Since then, repeater mechanisms have remained at the heart of Angelus collections, even being adapted into Braille-repeating watches for blinded soldiers during the First World War.

Inspired by this glorious history, Angelus is reissuing one of its rarest and most refined models: the Tinkler, based on the original 1958 edition. In 1958, Angelus filed a patent for a striking wristwatch, which was immediately followed by the original Tinkler—a pioneer of water-resistant, self-winding quarter-repeater watches. The new 38-mm case charms with a decidedly 1950s aesthetic that is clean, understated, and elegant. At 9 o’clock, the crown is balanced by a pusher that activates the quarter repeater, serving as a functional and historical hallmark of this legendary model.

The Tinkler 1958 edition is driven by the new Angelus A600 calibre, a mechanical self-winding movement that beats at 4Hz and offers a 70-hour power reserve. On request, the pusher at 9 o’clock triggers a sequence where each hour is marked by a clear strike on the first gong, followed by a double strike on two gongs to signal each quarter hour. The movement's finishing demonstrates the watchmaker's extreme attention to detail, featuring a snail-finished main plate, palladium-plated bridges adorned with Côtes de Genève, and a tungsten sunburst oscillating weight.

This new release is part of the La Fabrique line, where Angelus continues its legacy as a maker of specialty watches designed for specific activities or professional uses. The Tinkler 1958 is limited to 15 pieces in 18-carat yellow gold and 25 pieces in stainless steel, each paired with an alligator flank leather strap—ink blue for the gold version and saddle brown for the steel. Combining a modernist-style numeral 12 with exclamation-shaped hour markers at the quarter positions, the watch serves as a modern embodiment of a daring yet functional tradition.

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Chronoswiss proudly unveils the Neo Digiteur, a bold reinvention of an icon that first challenged convention two decades ago. Originally introduced in 2005 by founder Gerd-Rüdiger Lang, the Digiteur was a mechanical digital timepiece—a watch without hands—that defied expectations and celebrated horological artistry. Today, the Neo Digiteur returns sharper, stronger, and more modern than ever, crafted in stainless steel and infused with the pioneering spirit of its predecessor.

The design is architectural and tailored, with a rectangular case measuring 48 by 30 millimeters. Its sculptural lines are accentuated by sandblasted and polished finishes, while a reimagined onion-style crown ensures both elegance and ergonomics. At its heart lies a rare complication: a jumping hour regulator without hands. Time is displayed through three apertures—the jumping hour at twelve o’clock, digital minutes at center, and running seconds at six o’clock—creating a mechanical digital regulator that feels futuristic yet deeply analog.

Powering this display is the hand-wound Chronoswiss Caliber C.85757, beating at 3 Hz and offering a 48-hour power reserve. Developed entirely in-house, the movement features artisanal details such as hand-guilloché bridges and a sapphire crystal caseback that pays tribute to historic Fleurier calibers. Two limited editions express distinct personalities: Neo Digiteur Granit with an anthracite dial and Neo Digiteur Sand with a warm 4N sandblasted finish. Each version is limited to just 99 pieces, making the Neo Digiteur not a reproduction, but a true reinvention—a collector’s piece and a statement of mechanical artistry.

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The Maison gérald genta expands the Geneva collection with the Geneva Time Only, a new 38 mm creation in warm rose gold 4N and cool white gold, translating the line’s sculptural language and “l’esprit de Genève” into an essential, everyday expression.

“I wanted to capture the intuitive, instinctive genius and artistry of Mr. Genta,” says Matthieu Hegi, Artistic Director at La Fabrique du Temps Louis Vuitton, who leads the Geneva collection’s creative direction.

The updated cushion case—neither round nor square—features softened contours, a refined gadroon and a new single, broader lug on each side, striking a rare balance of daring and discretion. Light plays across polished and satin surfaces, while the collection’s signature two‑segment minute track forms a subtle optical illusion as the outer track follows the cushion silhouette and the inner ring remains perfectly circular. The grained brass dial carries a gentle fumé gradient—lighter at the center, darker at the edge—for tonal depth.

At just 8.15 mm thick, the 38 mm case slips neatly under a cuff; both models are fitted with rounded, mirror‑polished solid‑gold hands and applied indexes and tone‑on‑tone calfskin straps. Under the dial, the GG‑005P automatic calibre—Zenith Elite–based with redesigned bridges and a reworked oscillating mass—beats at 4 Hz with a 50‑hour power reserve (158 components, 27 jewels), visible through the sapphire caseback. Water‑resistance is 30 m.

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