Chronoswiss is proud to announce the launch of the Neo Digiteur Chronos, an extraordinary evolution of one of the brand’s most unconventional creations. Inspired by the original handless Digiteur introduced in the early 2000s by founder Gerd-Rüdiger Lang, this edition transforms a radical mechanical rebellion into a sculpted gold masterpiece. Housed in a tailored 48mm x 30mm rectangular case made from solid 5N gold (65g) and completely hand-engraved at the Atelier Lucerne, the watch depicts Chronos—the ancient Greek god of time—holding a mythological hourglass.

Rather than utilizing a traditional dial, the watch seamlessly integrates three precise apertures into the sculpted gold scene. The passage of time is visually poetized: the jumping hour appears in Chronos’ scythe at 12 o'clock, the sweeping minute disc flows through the upper chamber of the hourglass, and the continuous seconds rotate below in the lower chamber. Encircling the entire case and printed inside the black nubuck strap is a classic Greek meander pattern, an ancient symbol representing eternity and the infinite flow of time

At the heart of this handless digital regulator is the hand-wound Chronoswiss Caliber C.85757, equipped with an in-house developed jumping hour module. Visible through the rectangular sapphire crystal caseback, the movement operates at 3 Hz with a 48-hour power reserve and features exquisite rhodium plating, radial Côte de Genève, and hand-guilloché wheel bridges executed in Lucerne. Completed with a 5N gold pin buckle (4g), every technical detail underscores the brand's commitment to expressive high horology.

Strictly limited to only 33 pieces worldwide, each Neo Digiteur Chronos requires weeks of painstaking hand engraving, ensuring no two pieces are ever completely identical. As a rare fusion of ancient mythology, traditional hand craftsmanship, and avant-garde watchmaking, this collector’s creation represents a mechanical myth carved in gold. The Neo Digiteur Chronos is now available for inquiry through authorized Chronoswiss retailers and official channels.

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Arnold & Son has unveiled its new "Perpetual Moon 41.5 Steel Colours of the Moon" collection, a series of highly exclusive, limited-edition timepieces inspired by the changing celestial hues of Earth's natural satellite. Detailed in the official release document, "ENG_A&S PM 41.5 Steel Colours of the Moon.doc", the collection features three distinct versions—the Blue Moon, Golden Moon, and Red Moon—each celebrating a unique atmospheric or seasonal phenomenon that alters the Moon's appearance and has fascinated civilisations throughout history.

Reinterpreting the iconic Perpetual Moon collection, these new models introduce a 41.5 mm stainless-steel case that balances horological exclusivity with everyday versatility. In a watchmaking first, Arnold & Son has applied a pioneering Physical Vapour Deposition (PVD) treatment directly onto precious mother-of-pearl. This innovative process creates deep, shifting reflections across the dials and moon-phase skies, showcasing the natural organic layers of the material with patterns that recall the flowing grain of Damascus steel.

The astronomical precision of the moon phase is enhanced by Super-LumiNova hidden beneath the colored mother-of-pearl moon disc, accompanied by hand-painted luminescent constellations of Cassiopeia and Ursa Major—a poetic tribute to historical mariners who relied on them for navigation. Bringing this celestial mechanics to life is the in-house A&S1512 manual-winding calibre. This movement provides a generous 90-hour power reserve and displays meticulous luxury finishes, including radiating Côtes de Genève and a secondary moon-phase indicator, all visible through the sapphire crystal case back.

Each of the three references is paired with a matching hand-stitched alligator leather strap and secured with a stainless-steel pin buckle. To maintain their extreme exclusivity, production is strictly limited to just 18 pieces per version.
 

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gérald genta continues its legacy of audacious elegance with the launch of two new references in the Gentissima Oursin collection: Blue Meteorite and Green Meteorite. These timepieces mark a bold evolution of the iconic design first imagined by Mr. Gérald Genta in 1994, inspired by the delicate yet resilient form of the sea urchin.

A Design Born from Nature and the Cosmos
The Gentissima Oursin 41 features a 41mm sandblasted Grade 5 titanium case, meticulously set with 234 white gold beads, echoing the organic geometry of the sea urchin. At its heart lies a dial carved from a fragment of meteorite—a material born from the stars—making each watch a unique, one-of-one creation. The natural crystalline structure of meteorite ensures that no two dials are alike, offering collectors a truly rare expression of artistry.

Sporty-Chic Meets Haute Horlogerie
Combining rubber straps and titanium architecture with luxurious gold accents, the Gentissima Oursin 41 is designed for everyday wearability without compromising sophistication. A curved sapphire crystal, faceted with a subtle octagonal profile, protects the dial and enhances its dynamic character. Gold hands filled with Super-LumiNova featuring a pink hue—a tribute to Mr. Genta’s favorite color—ensure legibility and elegance.

Mechanical Excellence
Inside beats the Zenith Elite GG-005 automatic movement, boasting a 50-hour power reserve, 4 Hz frequency, and an 18K yellow gold oscillating mass, visible through a sapphire caseback. With 50m water resistance and a comfortable rubber strap, this timepiece is as practical as it is artistic.

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Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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