Chronoswiss proudly presents the Delphis Art Deco, a striking new edition that bridges the design philosophy of the Roaring Twenties with modern mechanical watchmaking. Housed in a 42mm Grade 5 titanium case with a matte finish, this limited-edition timepiece pays homage to an era celebrated for its architectural clarity, geometric symmetry, and creative freedom. Combined with a black nubuck strap, the piece achieves a balanced, modern presence that elevates the emblematic Delphis complication first introduced in 1996.

At the center of the watch is a lasered, nickel-coated main dial featuring a subtle three-dimensional texture in a refined grey tone. The upper stage hosts the iconic Delphis display: a digital jumping hour at 12 o'clock, a sweeping retrograde minute hand, and a subdial at 6 o'clock. Highlighted in a captivating "Art-Deco Blue" lacquer over a hand-guilloché base engraved on century-old machines at Atelier Lucerne, the subdial is beautifully accented by a gold-plated minute ring that adds a warm, geometric contrast.

Beating inside is the manufacture automatic Caliber C.6004, developed in partnership with La Joux-Perret. Visible through the transparent sapphire crystal caseback, this 37-jewel movement delivers a 55-hour power reserve and features ruthenium-plated bridges decorated with Geneva stripes and a skeletonized tungsten rotor. The 17-piece solid titanium case incorporates Chronoswiss’s signature onion crown, patented Autobloc screw lugs, and a robust 10 bar (100m) water resistance rating.

Strictly limited to just 150 pieces worldwide, the Chronoswiss Delphis Art Deco is a sophisticated mechanical tribute to 1920s design reimagined for contemporary collectors. Blending heritage hand-craftsmanship with modern engineering, it represents a bold new chapter for one of the brand's most recognizable models. The Delphis Art Deco is now available for order through authorized Chronoswiss retailers and official channels.

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Armin Strom unveils the Mirrored Force Resonance Zeitgeist 1665, a creative interpretation of what a Resonance wristwatch might have looked like centuries ago. This timepiece combines historical horology with modern innovation, celebrating the brand’s milestone achievement of stable and resilient Resonance.

The Zeitgeist features a stainless steel case measuring 43 mm in diameter, paired with an 18K white gold dial in an off-center design. Inside beats the Armin Strom Manufacture Caliber ARF21_ZG, a manual-winding movement with twin-seconds and flyback functionality, offering an impressive 80-hour power reserve. Limited to just 25 pieces worldwide, this exceptional creation pays tribute to the centuries-long pursuit of chronometric consistency, a challenge first explored by Christiaan Huygens in 1665. Armin Strom solved the Resonance Fragility Problem in 2016, making this phenomenon practical for wristwatches.
 

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Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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