Independent Swiss watch manufacture Armin Strom is expanding its Tribute collection with the new Tribute2, featuring a distinctive open worked design and remarkable three-dimensionality. The visible mechanical elements of the innovative movement and the elaborate hand decorations impart an intriguing visual depth to the watch. The Tribute2 – Copper Edition features a mainplate with a distinctive grattage design in an elegant copper hue. Limited to just 10 pieces, this edition underscores Armin Strom’s commitment to exceptional craftsmanship and exclusivity.
 

“The Tribute2 builds on the success of the Tribute 1 launched in 2021. It merges traditional watchmaking with contemporary design, highlighting the core values of the brand: transparent mechanics that artfully display the inner mechanisms, three-dimensional design that provides visual depth through various levels and the intricate details of the movement and meticulous hand decoration, which features prominently in this timepiece.” – Claude Greisler, Co-Founder and Master Watchmaker at Armin Strom.
 

DANIEL ROTH proudly presents the Tourbillon Platinum, a timepiece that pays homage to the brand’s rich heritage and its founder’s enduring passion for the tourbillon complication. This exceptional creation is inspired by the 1988 reference C187 and reinterprets it with modern refinement, artisanal craftsmanship, and a noble platinum case.

The signature double-ellipse case, now crafted in platinum, measures 38.6 x 35.5 mm and is just 9.2 mm thick. It houses a hand-guilloché dial made of solid white gold, finished in anthracite and accented with a sterling silver chapter ring. The dial’s linear guilloché pattern is executed by a single Maître Guillocheur over three days, reflecting the brand’s commitment to traditional métiers d’art.

Inside beats the DR001 calibre, a manually wound movement developed by Michel Navas and Enrico Barbasini at La Fabrique du Temps Louis Vuitton. Comprising 206 components, it offers an 80-hour power reserve and operates at 3Hz. The movement is entirely hand-finished, including hidden components, and features a triple-arm seconds hand—a nod to Daniel Roth’s original design language.

The Tourbillon Platinum is the third model in the brand’s rebirth, following the Tourbillon Souscription and the rose gold edition. It offers a more contemporary aesthetic while remaining faithful to the brand’s DNA of mechanical excellence and elegant restraint.

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The Armin Strom One Week Titanium Skeleton, an openworked masterpiece now fully skeletonized to reveal the intricate heart of its mechanics, combines striking design with precision engineering. Encased in lightweight titanium grade 5, it balances strength with comfort, providing a feeling of lightness that makes it easy to wear all week long.

The Armin Strom One Week Titanium Skeleton is a showcase of skeletonization, a technique that is rooted in Mr. Armin Strom’s philosophy and heritage. He sought to enhance depth and three-dimensionality while avoiding see-through to maintain elegance.

The 2023 One Week was already openworked by nature, but this version goes even further, removing more material to highlight the movement’s complexity. Few watches combine openworking and skeletonization at this level. The small seconds dial is skeletonized, revealing the power reserve level and the escapement wheel for a 3D mechanical animation. The mainplate and the barrels are also skeletonized enhancing aesthetics. Thanks to this skeletonization, the power reserve indicator is highlighted as well as the cone mechanism, reminiscent of ancient pocket watches. A major highlight is the case back, offering a mesmerizing view of the entire mechanism.

With a 7-day power reserve, this watch keeps time accurate for an entire week without needing winding. The hand-finished details reflect the level of craftsmanship behind its design. Limited to 100 pieces, the One Week Titanium Skeleton offers a refined, functional timepiece that blends robustness and comfort in a minimalist package.
 

Instrument de Vitesse, a new opus in the La Fabrique collection, revives the golden age of timed races. This single push-piece chronograph seems to have been plucked from the dashboard of a vintage GT car. It is equipped with a single timing hand – the centre seconds hand – and can time a maximum of one minute. With its sleek and refined retro sports look, Instrument de Vitesse is intended for enthusiasts of watchmaking history and culture. Housed in a 39-mm steel case, its 4.20 mm manually wound Manufacture calibre ensures that the finished timepiece is less than 10 mm thick. Instrument de Vitesse is available with an ivory-white or ebony-black dial in two limited series of 25 timepieces each.

Appearances can sometimes be deceptive. At first glance, Instrument de Vitesse does not appear to be a classic chronograph. With its three central hands, it looks like a watch... with three hands, but the tachymeter scale running around the outer edge of the dial reveals its chronometric function. For this is a chronograph presented in its purest expression, dedicated to timing short bursts – a measuring instrument designed to take average speed readings over a maximum of 60 seconds. This, in turn, casts new light on the crown, which also acts as the chronograph’s single push-piece to set the slender centre seconds hand in motion.

Moonlight illuminates a botanical green dial. The “Fern Green” version of Perpetual Moon 41.5 borrows the cool tones of the moon. The paleness of the platinum, the freshness of the fern green, and the midnight blue of the sky create an original flow of colours.

Maturity, diversity and mechanical exclusivity: the Perpetual Moon collection is constantly being enriched with new creations, consistently reaffirming the watchmaking and artistic talents of Arnold & Son. Following two other editions, one with salmon pink accents and another in sky blue, Perpetual Moon 41.5 Platinum is now available in this limited fern green version of 28 timepieces.

Its hue is inspired by the unique colour of the fern, an undergrowth plant found in abundance in the English gardens of Cornwall, the county where John Arnold was born.