Arnold & Son has unveiled its new "Perpetual Moon 41.5 Steel Colours of the Moon" collection, a series of highly exclusive, limited-edition timepieces inspired by the changing celestial hues of Earth's natural satellite. Detailed in the official release document, "ENG_A&S PM 41.5 Steel Colours of the Moon.doc", the collection features three distinct versions—the Blue Moon, Golden Moon, and Red Moon—each celebrating a unique atmospheric or seasonal phenomenon that alters the Moon's appearance and has fascinated civilisations throughout history.

Reinterpreting the iconic Perpetual Moon collection, these new models introduce a 41.5 mm stainless-steel case that balances horological exclusivity with everyday versatility. In a watchmaking first, Arnold & Son has applied a pioneering Physical Vapour Deposition (PVD) treatment directly onto precious mother-of-pearl. This innovative process creates deep, shifting reflections across the dials and moon-phase skies, showcasing the natural organic layers of the material with patterns that recall the flowing grain of Damascus steel.

The astronomical precision of the moon phase is enhanced by Super-LumiNova hidden beneath the colored mother-of-pearl moon disc, accompanied by hand-painted luminescent constellations of Cassiopeia and Ursa Major—a poetic tribute to historical mariners who relied on them for navigation. Bringing this celestial mechanics to life is the in-house A&S1512 manual-winding calibre. This movement provides a generous 90-hour power reserve and displays meticulous luxury finishes, including radiating Côtes de Genève and a secondary moon-phase indicator, all visible through the sapphire crystal case back.

Each of the three references is paired with a matching hand-stitched alligator leather strap and secured with a stainless-steel pin buckle. To maintain their extreme exclusivity, production is strictly limited to just 18 pieces per version.
 

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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Arnold & Son proudly presents the Longitude Titanium 5°W Edition, a timepiece inspired by the marine chronometers crafted by John Arnold in the late 18th century. These instruments revolutionized navigation and played a pivotal role in the British Navy’s mastery of the seas.

This limited edition of 38 pieces combines grade 5 titanium with an 18K red gold bezel ring, echoing the elegance of historical chronometers. The Lizard Point Grey dial, with its vertical satin finish, evokes the stormy hues of the North Atlantic near Lizard Point—the southernmost tip of mainland Great Britain at 5° west longitude.

Inside beats the A&S6302 calibre, an in-house automatic movement certified by the COSC as a chronometer. It offers a 60-hour power reserve, a power-reserve indicator at 12 o’clock, and a small seconds subdial opposite. Through the sapphire case back, the palladium-plated bridges and skeletonized 22K red gold oscillating weight—engraved with a ship and sextant motif—reveal the artistry of Arnold & Son.

Water-resistant to 100 meters, the Longitude Titanium 5°W features an interchangeable strap system, allowing effortless transition between an anthracite grey alligator leather strap and a titanium bracelet.

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Chronoswiss expands its avant‑garde Space Timer collection with the new SPACE TIMER GRAVITY, a 44mm mechanical creation inspired by the invisible yet powerful force of gravity. Limited to 50 pieces, the watch transforms cosmic phenomena into a visually architectural dial experience.

A Dial Where Light, Matter, and Mechanics Interact
The dial features a partly hand‑guilloché surface finished with a colour‑shifting CVD coating that transitions between deep green and oceanic blue depending on light — evoking the sensation of viewing a planet from orbit. A striking moon at 9 o’clock is produced through sophisticated laser work based on an original NASA photograph, revealing cratered textures with exceptional depth.

Floating above the landscape are transparent ITR2 hour and date rings that appear suspended in orbit. Beneath them, the exposed gear train is framed by a baby‑blue bridge, echoing the hue of the seconds hand and adding contemporary contrast to the cosmic scene.

A Case Built for Orbit
The 44mm matte‑grey stainless‑steel case delivers a modern, technical presence while allowing the dial’s dynamic surfaces to take centre stage. It pairs with a light grey nubuck leather strap for a refined, futuristic aesthetic.

The Engine Behind the Cosmos
Inside beats the Chronoswiss Caliber C.308, an automatic movement operating at 4 Hz with a 42‑hour power reserve. Mechanics remain proudly visible, emphasising the interplay between the unseen forces of gravity and the precise regulation of time.

A Limited Universe
Limited to 50 pieces worldwide, each SPACE TIMER GRAVITY captures the dance of light across its shifting dial, making every piece uniquely personal.

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To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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Following its global debut last night, Greubel Forsey is proud to unveil a new expression of the Balancier 3. Limited to just 22 timepieces, this latest edition continues the evolution of the movement first introduced in 2023, pushing the boundaries of hand-finishing by introducing a treatment never before executed at the Atelier: a frosted titanium bridge, hand-finished with a steel brush across its entire curved surface.

Housed in the signature 41.50mm Convexe titanium case, the Balancier 3 combines this innovative finishing with vibrant blue tones to create a three-dimensional landscape where high-performance chronometry meets unparalleled ergonomic design. The variable geometry of the case is engineered to follow the natural curvature of the wrist, while the multi-level openworked bridges provide a sense of visual lightness despite the movement's technical density.

Performance without compromise defines the heart of the Balancier 3, where technical density meets a striking sense of visual openness. This hand-wound movement is composed of 282 individual parts, featuring two series-coupled fast-rotating barrels that deliver a 72-hour chronometric power reserve. At its core, the in-house variable-inertia balance wheel measures 12.60mm in diameter and is meticulously fitted with six gold mean-time screws to ensure absolute precision.

The functional layout remains faithful to its original architectural concept, displaying hours and minutes on a suspended central bridge alongside a rotating small seconds disc. While the dial side offers a three-dimensional view of the mechanics, the movement side reveals a power-reserve indication integrated into the frosted titanium bridges. Every element, from the involute circle profile gearing to the olived-domed jewels, represents a singular vision of horological excellence and the "Art of Invention."
 

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