To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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Chronoswiss is proud to announce the launch of the Neo Digiteur Chronos, an extraordinary evolution of one of the brand’s most unconventional creations. Inspired by the original handless Digiteur introduced in the early 2000s by founder Gerd-Rüdiger Lang, this edition transforms a radical mechanical rebellion into a sculpted gold masterpiece. Housed in a tailored 48mm x 30mm rectangular case made from solid 5N gold (65g) and completely hand-engraved at the Atelier Lucerne, the watch depicts Chronos—the ancient Greek god of time—holding a mythological hourglass.

Rather than utilizing a traditional dial, the watch seamlessly integrates three precise apertures into the sculpted gold scene. The passage of time is visually poetized: the jumping hour appears in Chronos’ scythe at 12 o'clock, the sweeping minute disc flows through the upper chamber of the hourglass, and the continuous seconds rotate below in the lower chamber. Encircling the entire case and printed inside the black nubuck strap is a classic Greek meander pattern, an ancient symbol representing eternity and the infinite flow of time

At the heart of this handless digital regulator is the hand-wound Chronoswiss Caliber C.85757, equipped with an in-house developed jumping hour module. Visible through the rectangular sapphire crystal caseback, the movement operates at 3 Hz with a 48-hour power reserve and features exquisite rhodium plating, radial Côte de Genève, and hand-guilloché wheel bridges executed in Lucerne. Completed with a 5N gold pin buckle (4g), every technical detail underscores the brand's commitment to expressive high horology.

Strictly limited to only 33 pieces worldwide, each Neo Digiteur Chronos requires weeks of painstaking hand engraving, ensuring no two pieces are ever completely identical. As a rare fusion of ancient mythology, traditional hand craftsmanship, and avant-garde watchmaking, this collector’s creation represents a mechanical myth carved in gold. The Neo Digiteur Chronos is now available for inquiry through authorized Chronoswiss retailers and official channels.

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Greubel Forsey unveils its new GMT Balancier Convexe. As the Earth takes centre stage within a newly reimagined amphitheatre, the hours, minutes, seconds, second time zone, and universal time indications become both companions and spectators to its quiet revolution.

The new GMT Balancier Convexe replaces its predecessor entirely – not as a variation, but as a complete reinterpretation. With a redesigned case, an integrated power reserve, and enhanced ergonomics, it becomes the purest expression of our GMT complication to date – and the only GMT model in our current collection.

A refined evolution
– Titanium Convexe case now more compact at 42.90 mm for improved wearability.
– New 72-hour power reserve indicator seamlessly integrated into the dial.

Technical enhancements
– 496 components, 73 more than its predecessor.
– Inclined escapement suspended beneath polished steel bridge.
– Real-time rotating globe in layered amphitheatre.
– Sapphire disc on caseback with 24 cities, La Chaux-de-Fonds replaces Paris.

Exclusivity
– Limited to 22 pieces worldwide.

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Arnold & Son presents two new evocative versions of its ultra-thin HM model, featuring dials crafted from Namibian pietersite. Often called the "stone of storms," this decorative mineral belongs to the chalcedony family and was first discovered by Sid Pieters in the early 1960s. Each unique dial displays delicate, swirling patterns that recall the turbulent skies and foaming waves of Cornwall, the English birthplace of founder John Arnold. This design pays tribute to the ingenuity of the legendary watchmaker while celebrating the spirit of those who maintain their course in a challenging world.

The designation "HM" was intentionally chosen to reflect the watch's focus on displaying only hours and minutes, while simultaneously serving as a historical nod to the British Royal Navy. In naval tradition, HM stands for "His or Her Majesty’s," a title that appeared in the 17th century and was later formalized as HMS. By transposing this reference to watchmaking, Arnold & Son connects the precision of modern horology with England's maritime history, specifically the era when John Arnold’s marine chronometers enabled the exploration of new lands.

Encased in a choice of 18-carat red gold or stainless steel, the HM Pietersite is a masterpiece of elegance and restraint. The case measures a refined 39.5 mm in diameter with a remarkably slim profile of just 7.82 mm. To complement the dreamlike, diaphanous patterns of the pietersite dial, the timepiece is paired with a matte ink-blue alligator leather strap and a traditional pin buckle crafted from the same metal as the case. These limited editions are produced in extremely small quantities, with only 8 pieces available in red gold and 18 in steel.

At the heart of this timepiece lies the ultra-thin, in-house A&S1001 manual-winding calibre. Visible through a sapphire crystal case back, the movement is a showcase of luxury finishing, featuring a rhodium-plated main plate with circular graining and bridges adorned with radiating Côtes de Genève. Despite its slender height of only 2.70 mm, the movement offers exceptional performance with a generous 90-hour power reserve. Every detail, from the snail-finished wheels to the blued screws with polished heads, reflects the most exacting standards of Swiss watchmaking.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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