Angelus introduces a new collection that plays with the tension between the circle and openworking. Flying Tourbillon Titanium adopts the architecture of the house’s contemporary case, consisting of a carbon composite container surrounded by a titanium case middle with a notched bezel. Inside, Angelus has installed a new hand-wound movement, the A-310 calibre, equipped with a flying tourbillon at 6 o’clock. Large Arabic numerals float between the sapphire crystal and the PVD-treated bridges, adding rhythm and lightness to Flying Tourbillon Titanium. The inaugural version is clad in blue, from the movement to the flange and the interchangeable alligator-leather and rubber straps.

The beauty of many millennia of fossilisation. The fiery shades of conifers in autumn. The radiant translucency of resin. Baltic amber reveals the richness of life, the complexity of nature and the magic of the passing of time. This rare and challenging fossilised resin is showcased in all its splendour on HM Steel Amber. It adorns the almost bare dial, framed by an ultra-thin steel case. Arnold & Son plays a new hand and continues to innovate in the field of exceptional materials.

Arnold & Son is opening a new chapter in its collections of materials. After timepieces featuring charoite, specular hematite and even meteorite, a one-off piece from the Double Tourbillon collection played host to the glistening pale yellow hues of Baltic amber for the very first time. Difficult to source and challenging to work, it took the house several months to find the precious fossil needed to produce the 38 HM Steel Amber timepieces.

This is not just a new timepiece — it’s a statement, a revolution, a new era. The PULSE One is the first of its kind, the birth of a new family, and most importantly, the bold next step in the Chronoswiss legacy.

Designed and crafted in Lucerne, this is "Modern Mechanical" in its purest form. Known for defying convention, the watchmakers at Chronoswiss have once again pushed the boundaries of mechanical artistry. For Watches & Wonders 2025, Chronoswiss has re- visioned, re-engineered, and redefined its core DNA. The result? A full-titanium powerhouse that pulses with precision, energy, and audacity - a true mechanical marvel forged by hand.

DANIEL ROTH proudly presents the Tourbillon Platinum, a timepiece that pays homage to the brand’s rich heritage and its founder’s enduring passion for the tourbillon complication. This exceptional creation is inspired by the 1988 reference C187 and reinterprets it with modern refinement, artisanal craftsmanship, and a noble platinum case.

The signature double-ellipse case, now crafted in platinum, measures 38.6 x 35.5 mm and is just 9.2 mm thick. It houses a hand-guilloché dial made of solid white gold, finished in anthracite and accented with a sterling silver chapter ring. The dial’s linear guilloché pattern is executed by a single Maître Guillocheur over three days, reflecting the brand’s commitment to traditional métiers d’art.

Inside beats the DR001 calibre, a manually wound movement developed by Michel Navas and Enrico Barbasini at La Fabrique du Temps Louis Vuitton. Comprising 206 components, it offers an 80-hour power reserve and operates at 3Hz. The movement is entirely hand-finished, including hidden components, and features a triple-arm seconds hand—a nod to Daniel Roth’s original design language.

The Tourbillon Platinum is the third model in the brand’s rebirth, following the Tourbillon Souscription and the rose gold edition. It offers a more contemporary aesthetic while remaining faithful to the brand’s DNA of mechanical excellence and elegant restraint.

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The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.