Mirrored Force Resonance Zeitgeist 1665

Time and space converge in the latest masterpiece of haute horlogerie: the Grand Planetarium Eccentric Meteorite. This extraordinary timepiece is crafted from a genuine meteorite fragment—once part of an asteroid’s core, drifting through space for billions of years before falling to Earth 50,000 years ago. Now, this celestial relic has been transformed into an exceptional watch, uniting cosmic heritage with unparalleled horological innovation.

At the heart of this timepiece lies a groundbreaking complication: the Eccentric Planetarium, the only mechanical Grand Planetary Complication in the world that accurately displays all eight planets—Mercury, Venus, Earth and her Moon, Mars, Jupiter, Saturn, Uranus, and Neptune—moving in real time around the Sun. This breathtaking mechanism captures the celestial dance of our Solar System with unmatched precision, making it a true marvel of both astronomy and watchmaking.

A Celestial Fusion of Science and Art
Master watchmaker Pim Koeslag has meticulously sculpted this timepiece, ensuring that its construction reflects the grandeur of its cosmic origins. The meteorite case, weighing 47 grams, is carefully crafted out of a 1.09 kg space stone. This extraordinary material shaped by the universe itself, features a unique Widmanstätten pattern, formed over millions of years of slow cooling in space, making each case truly one of a kind.

The dial is a celestial spectacle in itself: crafted from aventurine glass (goldfluss), it mimics the night sky, complete with zodiac constellations. The Eccentric Planetarium features hand-painted planetary orbits, while the meteorite dial ring, set between Mars and Jupiter, signifies the asteroid belt and contains real fragments of a martian nakhlite meteorite —a piece of another world encased within this exceptional timepiece.

A Timepiece Beyond Time
Encased in domed sapphire crystal, the 44mm meteorite case showcases the celestial ballet within. The sapphire crystal case-back reveals the movement’s intricate craftsmanship, while the dark blue hand-stitched leather strap and platinum folding clasp complete this cosmic masterpiece.

“The Grand Planetarium Eccentric Meteorite is more than a watch. It is a link between humanity and the cosmos, a way to wear the universe on your wrist,” says Pim Koeslag.

This timepiece is a tribute to time itself. From a star’s death to an asteroid’s journey, from its fall to Earth to its transformation into an exceptional watch—each second it measures is an echo of the vast cosmic history it carries.

An Exclusive, Limited Edition for Collectors
The Grand Planetarium Eccentric Meteorite is available in a strictly limited edition, with a maximum of 3 pieces, depending on the avaibility and quality of the rough meteorite material. So far, Christiaan van der Klaauw has been able to produce only 2 pieces from the available material, making this timepiece an exceptionally rare collector’s item. This extraordinary creation offers the unique opportunity to own a fragment of a star, forever marking the passage of time.

About Christiaan van der Klaauw
Christiaan van der Klaauw is one of the most prestigious watchmaking houses in the Netherlands, specializing in astronomical watches. Founded in 1974, the brand has distinguished itself by its ability to integrate astronomical complications innovatively and artistically into high-precision timepieces. The Grand Planetarium eccentric model is one of its most iconic Grande Complication, representing the quintessence of art and science.

Featuring a platinum case and bracelet with an 18k white gold movement and dial, C by Romain Gauthier Platinum Edition Bracelet resonates with the most discerning collectors in the watchmaking world. Romain brings a touch of refinement to this timepiece with a sporty profile and assertive character, a combination of noble materials that reveals a traditional side to this very modern timepiece.

The C by Romain Gauthier Platinum Edition Bracelet stands out for its elegance and ultimate level of refinement, beyond the precious character that platinum brings, the bracelet design highlights the textures and finishing techniques that make this timepiece more luminous and prestigious.

In keeping with Romain's vision - The Evolution of Tradition - the bracelet requires a high level of craftsmanship and hand finishing. Each link is composed of high polished and satin brushed surfaces by hand, highlighting the interplay of light and reflecting the artistry and technical nature of the bracelet and the piece in general.

Conceived as an integral element of the whole timepiece, the bracelet was designed to be one with the case - “The bracelet is the case, and the case is the bracelet” says Romain. This desire is reflected in the fusion of these two elements that cannot be dissociated. Inspired by the finger bridges style, the design of the movement follows the watchmaking history of the Swiss Vallée de Joux, with a modern approach, reflecting Romain's vision of the evolution of tradition.

As a non-limited edition, the Platinum Edition Bracelet can be personalized and customized to reflect each collector’s personality and taste.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

Instrument de Vitesse, a new opus in the La Fabrique collection, revives the golden age of timed races. This single push-piece chronograph seems to have been plucked from the dashboard of a vintage GT car. It is equipped with a single timing hand – the centre seconds hand – and can time a maximum of one minute. With its sleek and refined retro sports look, Instrument de Vitesse is intended for enthusiasts of watchmaking history and culture. Housed in a 39-mm steel case, its 4.20 mm manually wound Manufacture calibre ensures that the finished timepiece is less than 10 mm thick. Instrument de Vitesse is available with an ivory-white or ebony-black dial in two limited series of 25 timepieces each.

Appearances can sometimes be deceptive. At first glance, Instrument de Vitesse does not appear to be a classic chronograph. With its three central hands, it looks like a watch... with three hands, but the tachymeter scale running around the outer edge of the dial reveals its chronometric function. For this is a chronograph presented in its purest expression, dedicated to timing short bursts – a measuring instrument designed to take average speed readings over a maximum of 60 seconds. This, in turn, casts new light on the crown, which also acts as the chronograph’s single push-piece to set the slender centre seconds hand in motion.

The Armin Strom One Week Titanium Skeleton, an openworked masterpiece now fully skeletonized to reveal the intricate heart of its mechanics, combines striking design with precision engineering. Encased in lightweight titanium grade 5, it balances strength with comfort, providing a feeling of lightness that makes it easy to wear all week long.

The Armin Strom One Week Titanium Skeleton is a showcase of skeletonization, a technique that is rooted in Mr. Armin Strom’s philosophy and heritage. He sought to enhance depth and three-dimensionality while avoiding see-through to maintain elegance.

The 2023 One Week was already openworked by nature, but this version goes even further, removing more material to highlight the movement’s complexity. Few watches combine openworking and skeletonization at this level. The small seconds dial is skeletonized, revealing the power reserve level and the escapement wheel for a 3D mechanical animation. The mainplate and the barrels are also skeletonized enhancing aesthetics. Thanks to this skeletonization, the power reserve indicator is highlighted as well as the cone mechanism, reminiscent of ancient pocket watches. A major highlight is the case back, offering a mesmerizing view of the entire mechanism.

With a 7-day power reserve, this watch keeps time accurate for an entire week without needing winding. The hand-finished details reflect the level of craftsmanship behind its design. Limited to 100 pieces, the One Week Titanium Skeleton offers a refined, functional timepiece that blends robustness and comfort in a minimalist package.