DANIEL ROTH Tourbillon Platinum

Biel/Bienne, Switzerland, 26 June 2024: Following the inaugural redesigned One Week First Edition that made its debut in 2023, Armin Strom unveils a new version of the successor to its first-ever manufacture movement with the One Week Manufacture Edition. The highly architectural openworked movement, housed in a sleek and sporty steel case with an integrated bracelet, is now presented in a range of grey and anthracite hues. Limited to 100 pieces, the One Week Manufacture Edition foregoes colour to bring out the beauty of its uniquely constructed manual calibre.

15 years ago, independent watchmaking brand Armin Strom took a major leap that would forever change its trajectory. Realising that the path to true independence lies in mastering every step of the process, it established its very own manufacture in Biel. A year later, the first timepiece produced by its vertically integrated manufacture was unveiled: the One Week. Entirely developed and manufactured in-house and designed with symmetrical harmony in mind, it stood out thanks to its unique movement architecture featuring two barrels that together provide a seven-day power reserve. This milestone marked the beginning of many new calibres and innovations by the Armin Strom manufacture, showcasing their dedication to the science of movement and garnering the admiration and respect of even the most discerning and seasoned collectors.

The new One Week Manufacture Edition completely reimagines this milestone calibre in line with the brand’s recent bolder, more three-dimensional approach to calibre design, all in a sleek and serene execution that further highlights its ingenuity and uniqueness. The mainplate, bridges and parts, visible on the dial thanks to the openworked movement design, are anthracite PVD coated for a striking look.

As Armin Strom founder Serge Michel notes: “Collectors who missed the opportunity to get a first edition of the redesigned One Week will now have another chance. The Manufacture Edition of the new One Week will be limited to 100 pieces.”

Sporty yet classy, this model exudes calmness and serenity with its anthracite tones and the symmetrical harmony of its in-house movement.

The omnipresent grey of titanium extends into the sunray-brushed grey of the "Magnetic Silver" dial. Chronodate Titanium expresses its technical sophistication in an ensemble where deep black contrasts with a hint of red. With this ultra-sporty, understated and intense new colour scheme, Chronodate Titanium catches the eye, fixes it and draws it towards the horizon.

Angelus introduces a new shade of its self-winding chronograph with peripheral date. Chronodate welcomes the silver-grey "Magnetic Silver" in a tone-on-tone effect. The harmonious blend between titanium case, titanium bracelet or black rubber strap, rhodium-plated hands and the dial surface creates a technical monochrome impression. This grey continues into black, revealing the movement container and then the carbon composite push-pieces. This black ensemble culminates in the two counters, one a 30-minute chronograph totaliser and the other with a small seconds.

Chronodate is a fusion of two different styles: Angelus, the historic brand and its Swiss watchmaking heritage, and Angelus, the technical, modern brand with a penchant for complications. With this colour combination, the house presents the most striking version of this chronograph collection.

Swiss Prestige, the Hong Kong distributor for Chronoswiss, transformed the XX bar of Rosewood Hotel into a kaleidoscope of horological wonder on June 20th. The exclusive cocktail event, themed "Into the Modern Mechanical with Colors," brought Chronoswiss's "Modern Mechanical" philosophy to life in a multisensory experience.

Chronoswiss is thrilled to announce the launch of its latest horological marvel, the Delphis Sub Zero. This all-blue wonder is a testament to the eternal beauty of ice and glaciers, merging innovative design with meticulous craftsmanship – with a cool twist.

The Delphis Sub Zero is an extraordinary timepiece encased in a 42mm CVD-coated blue stainless-steel case, perfectly complemented by a matching blue rubber strap. This icy blue ensemble creates a striking visual that is both bold and sophisticated, like an explorer of the frozen wilderness, capturing the essence of eternal ice.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.