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DANIEL ROTH Unveils the Extra Plat Rose Gold Skeleton

JANUARY 19 2026    |    Novelties

A contemporary expression of classical proportion, revealing the architecture of high watchmaking
 

DANIEL ROTH presents the Extra Plat Rose Gold Skeleton, a new interpretation of one of the Maison’s most emblematic creations. Remaining faithful to the proportions and restrained elegance of the Extra Plat, this latest iteration introduces skeletonisation for the first time in the brand’s modern revival, allowing the inner architecture of the watch to take centre stage.

Conceived in the spirit of La Montre Objet d’Art, the Extra Plat Rose Gold Skeleton preserves the calm geometry of the double‑ellipse case while offering a transparent view into the movement, transforming technical construction into a visual and artistic experience.

The Extra Plat: A signature revisited
Simplicity, when executed with absolute precision, has long been central to the identity of DANIEL ROTH. During the early years of his independent career, Mr. Roth considered the Extra Plat a complication in its own right, favouring it for the technical discipline required to achieve true thinness and perfect proportion.

Defined by its double‑ellipse case and balanced architecture, the Extra Plat became a cornerstone of the Maison’s aesthetic vocabulary in the early 1990s. While Daniel Roth produced skeletonised versions of select complications during that period, the Extra Plat itself was never skeletonised. This new creation therefore marks a respectful yet meaningful evolution, expanding the expressive range of the Extra Plat while remaining faithful to its original spirit.

The DR002SR calibre: a skeletonised rose gold heart
At the centre of the Extra Plat Rose Gold Skeleton is the new manually wound calibre DR002SR, developed and manufactured entirely at La Fabrique du Temps Louis Vuitton under the supervision of master watchmakers Michel Navas and Enrico Barbasini.

Based on the DR002, the DR002SR has been re‑engineered from the ground up specifically for skeletonisation. The bridges and plates have been reshaped to maximise openness and visual clarity, while preserving structural rigidity and chronometric performance. Crafted in solid 18k 5N rose gold, the movement mirrors the warmth of the case and provides an ideal canvas for traditional hand finishing.


Transparency in motion
Skeletonisation is an exercise in reduction and balance. With the DR002SR, DANIEL ROTH brings this principle to its highest expression. The calibre reveals a wealth of hand‑executed details, including numerous hand‑polished internal angles, black‑polished steel components, and meticulously bevelled bridges—finishes that can only be achieved by skilled artisans and never by machine.

Despite its openworked construction, the DR002SR retains a power reserve of 65 hours and a frequency of 4 Hz, underscoring the Maison’s commitment to both technical integrity and timeless aesthetics.


Slim proportions, uncompromised structure
Housed in a 38.6 × 35.5 mm double‑ellipse case crafted in 18k rose gold, the Extra Plat Rose Gold Skeleton measures just 6.9 mm in thickness. This exceptional slenderness ensures that the watch remains true to the Extra Plat philosophy of discreet elegance and effortless wearability.

Produced in extremely limited numbers each year, the Extra Plat Rose Gold Skeleton is intended for collectors who value traditional high watchmaking expressed with clarity, restraint, and depth.

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DANIEL ROTH Extra Plat Rose Gold Skeleton

DANIEL ROTH Extra Plat Rose Gold Skeleton

Technical Specifications

Functions Hours, minutes
Movement Calibre: DR002SR, manual winding, Shaped movement matching the double‑ellipse case
Components / Jewels: 141 / 21
Dimensions: 31.0 mm × 28.0 mm
Thickness: 3.1 mm
Power reserve: 65 hours
Frequency: 4 Hz
Development: La Fabrique du Temps Louis Vuitton, under Michel Navas & Enrico Barbasini
Finishing: Hand‑bevelled edges with numerous hand‑polished internal angles, Black‑polished steel components, All finishing performed in‑house
Bridges and mainplate in solid 18K 5N rose gold
Dial Openworked (skeletonised) architecture
Case Material: 18K 5N Rose gold
Dimensions: 38.6 × 35.5 mm
Thickness: 6.9 mm
Crystal: Flat anti‑reflective sapphire crystal
Case back: Sapphire crystal caseback
Water resistance: 30 m (3 bar)
Lug width: 20mm
Hands Thermally blued steel hands
Strap Calfskin leather
Reference DBBD02A1

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FEBRUARY 13 2026    |    Novelties

Armin Strom Unveils the Dual Time GMT Resonance Rose Gold

Armin Strom presents a refined and visually striking evolution of its celebrated Dual Time GMT Resonance collection with the debut of the Dual Time GMT Resonance Rose Gold. Rendered for the first time in a 39 mm 18K rose‑gold case, the timepiece introduces a warm and elegant reinterpretation of the brand’s technically driven design language. Limited to 50 pieces worldwide, this edition pairs the Maison’s signature resonance innovation with a rich new aesthetic personality, blending contemporary elegance with mechanical sophistication.

A New Expression of Design & Craftsmanship
The new Rose Gold edition distinguishes itself through its interplay of warm tones and finely executed textures. The 18K rose‑gold case forms a glowing frame around the black‑gold grenage dial, a surface enriched by depth, contrast, and granular refinement. The dial’s twin layouts—each dedicated to one time zone—are clearly defined by black azurage chapter rings, ensuring intuitive reading while maintaining the balanced symmetry that defines the Resonance line. The rose‑gold‑coloured, faceted and polished hands, together with matching applied indexes, elevate the aesthetic with a luxurious brightness. At six o’clock on each sub‑dial, polished and blackened steel sun-and-moon day/night discs add functional clarity and a poetic visual touch. Completing the ensemble is a matte anthracite alligator strap accented with grey stitching and secured with a matching 18K rose‑gold pin buckle, creating a cohesive, modern, and refined profile.

The Science of Movement: Calibre ARF22
At the heart of the watch lies Armin Strom’s hand‑wound, in‑house Calibre ARF22, a movement defined by the brand’s patented resonance clutch system. This mechanism couples two independent balance wheels and allows them to synchronise through resonance, a natural physical phenomenon that enhances chronometric stability. What might otherwise remain a theoretical curiosity is transformed into a practical complication: each regulating organ governs its own time display, enabling two entirely independent time zones. Each dial also features a corresponding day/night indicator, making the watch particularly intuitive for world travellers. Operating at 3.5 Hz (25,200 vph) and offering a 42‑hour power reserve, the ARF22 movement brings a dynamic, kinetic quality to the dial, where the twin oscillators interact in real time. The aesthetic presentation of the movement reflects haute horlogerie values, with meticulous hand‑polished bevels, black‑polished steel components, circular graining, perlage, and Côtes de Genève on full display through sapphire crystals on both sides. In keeping with Armin Strom tradition, each watch is assembled twice, ensuring uncompromising mechanical integrity and flawless finishing.

The new Dual Time GMT Resonance Rose Gold is offered in a strictly limited edition of 50 pieces

 

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JUNE 29 2026    |    Novelties

Greubel Forsey Introduces the Balancier QM: A New Pinnacle of Haute Horlogerie

Independent manufacture Greubel Forsey has unveiled the Balancier QM ($GF09cm$), marking a historic milestone for the workshop by officially naming its highest, most uncompromising hand-finishing standard: Qualité Musée (Museum Quality). While this meticulous level of execution has been quietly embedded into every single timepiece crafted by the Atelier since its founding in 2004, the Balancier QM is the first model to formally carry the designation. Driven forward by a dedicated research wing within the brand’s proprietary EWT (Experimental Watch Technology) Laboratory, this standard mandates that every individual component, whether fully visible through the sapphire crystals or buried deep within the gear train, must hold up as a standalone work of art.

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Visually, the timepiece presents an intricately layered, three-dimensional landscape neatly organized within a highly compact 39.60mm white gold case. The movement architecture encourages deep visual exploration; the escapement is nestled into the lowermost depths of the chassis, while the eye naturally ascends past a high-set small seconds sub-dial, flame-blued polished steel hands, and a raised chapter ring. Beneath this upper track, a power-reserve indicator slips mysteriously across a dedicated sector to track the watch's 72-hour chronometric power delivery, sustained by two fast-rotating, series-coupled mainspring barrels. True to Greubel Forsey’s signature underplayed luxury, the words "Qualité Musée" are entirely absent from the dial, hidden instead on a secret internal plate deep inside the movement.

Limited to just 33 exclusive timepieces worldwide, the Balancier QM represents a deliberate strategic pivot for Greubel Forsey toward smaller, more wearable case dimensions without sacrificing an ounce of technical complexity. The manufacture openly acknowledges that achieving this level of structural perfection across all 298 movement parts demands an extraordinary expenditure of time, which will intentionally reduce the company's overall production volume heading into 2027. Looking ahead, the Qualité Musée standard will serve as the foundation for a series of compact releases, including a highly anticipated movement under development at the EWT lab featuring a gear train crafted entirely from solid gold.

 

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NOVEMBER 12 2025    |    Novelties

Neo Digiteur: Chronoswiss Revives the Mechanical Digital Icon

Chronoswiss proudly unveils the Neo Digiteur, a bold reinvention of an icon that first challenged convention two decades ago. Originally introduced in 2005 by founder Gerd-Rüdiger Lang, the Digiteur was a mechanical digital timepiece—a watch without hands—that defied expectations and celebrated horological artistry. Today, the Neo Digiteur returns sharper, stronger, and more modern than ever, crafted in stainless steel and infused with the pioneering spirit of its predecessor.

The design is architectural and tailored, with a rectangular case measuring 48 by 30 millimeters. Its sculptural lines are accentuated by sandblasted and polished finishes, while a reimagined onion-style crown ensures both elegance and ergonomics. At its heart lies a rare complication: a jumping hour regulator without hands. Time is displayed through three apertures—the jumping hour at twelve o’clock, digital minutes at center, and running seconds at six o’clock—creating a mechanical digital regulator that feels futuristic yet deeply analog.

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At the heart of this timepiece is an innovative, three-dimensional dial that showcases a revolutionary take on a traditional decorative art. For the first time, a hand-guilloché brass surface is refined using a highly precise sandblasting process that directs ultra-fine synthetic corundum particles onto the dial. The result is a shimmering, frosted finish that transforms the geometric guilloché pattern into a crystalline landscape of light and depth. This contemporary backdrop is beautifully contrasted by polished, blue PVD-coated appliques, blued steel screws, and polished, blued steel hands in the brand's signature "Pyramid" shape.

Powering the watch is the Chronoswiss Manufacture Caliber C.6002, an automatic movement developed in partnership with La Joux-Perret that offers a 55-hour power reserve. Designed specifically for global travelers, the movement features a dedicated dual-time-zone module; home time is tracked on a 12-hour disc at 3 o'clock, a second time zone is displayed via a 24-hour GMT disc at 9 o'clock, and central hands sweep the dial to indicate minutes and seconds. The exquisite inner workings of the caliber are visible through a sapphire crystal case back, revealing a skeletonized tungsten rotor, polished escape wheels, and a ruthenium-plated bridge finished with a classic Geneva cut.

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JULY 02 2024    |    Novelties

A timepiece unveiling the aesthetic technique of a finely hand-decorated movement.

For the final titanium 41mm, three-hands limited edition with rubber strap, Romain Gauthier presents a timepiece with a partially open dial, unveiling a portion of the entirely hand-decorated movement.

C by Romain Gauthier Titanium Editions are modern timepieces with a sporty design that encloses a titanium movement whose hand-finishing prowess can be admired on the case-back. This time Romain wanted the stunning features of this movement to be easily visible just by looking at the watch, even when worn. By opening the dial, he reveals the beauty of the mechanism inside, bringing a technical aesthetic to this timepiece, which until now has featured a full dial.


This partially open dial is particularly reminiscent of the history of the brand's very first timepiece, the Prestige HM, which evolved to reveal the seconds-hand mechanism on its sister caliber, the Prestige HMS.

Unveiled in 2021, the C by Romain Gauthier caliber was the result of more than 16 years of know-how acquired through the brand's development and its manufacture, while reflecting Romain's creative freedom with a modern and youthful design.

Technical in nature, casual in style and free in spirit, the Freedom collection has enabled the creation of this contemporary caliber. The significance of C by Romain Gauthier lies in its creative approach to reinforce the notions of continuity with its concept and design, in reference to the Continuum. Reflecting a vision of the future for a timepiece which is part of Romain Gauthier's philosophy, and which opens the door to new horizons.

During its creation, it was clear to Romain that the case had to harmonize with the movement. It had to be contemporary and uncluttered. But not only that – comfort, ergonomics and the choice of materials also contributed to the design of this timepiece with the decision to use Grade 5 titanium. The dial, in sapphire for this edition, adds to the consistency of the piece and evokes a sense of continuity, as no circle completes the time indication.

Inspired by the finger bridges style, the design of the movement follows the watchmaking history of the Vallée de Joux but with a modern approach, reflecting Romain’s vision of the evolution of tradition.

Romain Gauthier presents the sixth edition of the caliber in titanium in a limited edition of 88-pieces and engraved “1 of 88” on the back of each movement.

 

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MARCH 24 2025    |    Watches and Wonders 2025

Constant Force Tourbillon 11, yellow gold edition - A celebration of watchmaking ingenuity

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

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