Arnold & Son, a benchmark in classic fine watchmaking, is exploring uncharted territory on the map of horology. Longitude Titanium is a sports-chic COSC-certified chronometer with a 42.5 mm titanium case. The dial of Longitude Titanium is vertical satin-finished in a continuation of the bracelet’s finish, which is subtly intersected by the polished edges of its links. With a power-reserve display at 12 o’clock and an imposing seconds counter at 6 o’clock, Longitude Titanium pays tribute to John Arnold’s marine chronometers, his revolutionary vision and his decisive role in calculating longitude at sea.
The aesthetics and construction of John Arnold’s marine chronometers were necessarily classic and functional, and were adapted to the harsh conditions of the high seas. Longitude Titanium, a contemporary interpretation of the great English watchmaker’s work, coherently combines this naval heritage with a refined design and highly resistant materials. The movement’s ‘chronometer’ certification is an essential addition to this scene, with its historical ties to Arnold’s creations and his quest for accuracy.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

This year, Angelus is releasing the Chronographe Télémètre as a limited edition of two sets of 25 steel timepieces and a further 15 in 18-carat yellow gold. Measuring 37 mm in diameter, with a vintage-inspired dial and a mono-pusher set into the winding crown, this short-interval timekeeping instrument contains countless tributes to Angelus’ rich history and particularly its speciality in crafting chronographs. Its noble hand-wound mechanism, historical roots and superior finishes give this chronograph a wildly elegant retro aesthetic.

After the Instrument de Vitesse and the Chronographe Médical, the La Fabrique collection welcomes a new masterpiece that recalls the functional and aesthetic history of Angelus. Founded in 1891 in Le Locle by the Stolz brothers, Angelus quickly specialised in alarm clocks, minute repeaters and, above all, chronographs. One of its iconic models already inspired the revival of the Chronodate collection 80 years later.

DANIEL ROTH proudly presents the Tourbillon Platinum, a timepiece that pays homage to the brand’s rich heritage and its founder’s enduring passion for the tourbillon complication. This exceptional creation is inspired by the 1988 reference C187 and reinterprets it with modern refinement, artisanal craftsmanship, and a noble platinum case.

The signature double-ellipse case, now crafted in platinum, measures 38.6 x 35.5 mm and is just 9.2 mm thick. It houses a hand-guilloché dial made of solid white gold, finished in anthracite and accented with a sterling silver chapter ring. The dial’s linear guilloché pattern is executed by a single Maître Guillocheur over three days, reflecting the brand’s commitment to traditional métiers d’art.

Inside beats the DR001 calibre, a manually wound movement developed by Michel Navas and Enrico Barbasini at La Fabrique du Temps Louis Vuitton. Comprising 206 components, it offers an 80-hour power reserve and operates at 3Hz. The movement is entirely hand-finished, including hidden components, and features a triple-arm seconds hand—a nod to Daniel Roth’s original design language.

The Tourbillon Platinum is the third model in the brand’s rebirth, following the Tourbillon Souscription and the rose gold edition. It offers a more contemporary aesthetic while remaining faithful to the brand’s DNA of mechanical excellence and elegant restraint.

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