Time and space converge in the latest masterpiece of haute horlogerie: the Grand Planetarium Eccentric Meteorite. This extraordinary timepiece is crafted from a genuine meteorite fragment—once part of an asteroid’s core, drifting through space for billions of years before falling to Earth 50,000 years ago. Now, this celestial relic has been transformed into an exceptional watch, uniting cosmic heritage with unparalleled horological innovation.

At the heart of this timepiece lies a groundbreaking complication: the Eccentric Planetarium, the only mechanical Grand Planetary Complication in the world that accurately displays all eight planets—Mercury, Venus, Earth and her Moon, Mars, Jupiter, Saturn, Uranus, and Neptune—moving in real time around the Sun. This breathtaking mechanism captures the celestial dance of our Solar System with unmatched precision, making it a true marvel of both astronomy and watchmaking.

A Celestial Fusion of Science and Art
Master watchmaker Pim Koeslag has meticulously sculpted this timepiece, ensuring that its construction reflects the grandeur of its cosmic origins. The meteorite case, weighing 47 grams, is carefully crafted out of a 1.09 kg space stone. This extraordinary material shaped by the universe itself, features a unique Widmanstätten pattern, formed over millions of years of slow cooling in space, making each case truly one of a kind.

The dial is a celestial spectacle in itself: crafted from aventurine glass (goldfluss), it mimics the night sky, complete with zodiac constellations. The Eccentric Planetarium features hand-painted planetary orbits, while the meteorite dial ring, set between Mars and Jupiter, signifies the asteroid belt and contains real fragments of a martian nakhlite meteorite —a piece of another world encased within this exceptional timepiece.

A Timepiece Beyond Time
Encased in domed sapphire crystal, the 44mm meteorite case showcases the celestial ballet within. The sapphire crystal case-back reveals the movement’s intricate craftsmanship, while the dark blue hand-stitched leather strap and platinum folding clasp complete this cosmic masterpiece.

“The Grand Planetarium Eccentric Meteorite is more than a watch. It is a link between humanity and the cosmos, a way to wear the universe on your wrist,” says Pim Koeslag.

This timepiece is a tribute to time itself. From a star’s death to an asteroid’s journey, from its fall to Earth to its transformation into an exceptional watch—each second it measures is an echo of the vast cosmic history it carries.

An Exclusive, Limited Edition for Collectors
The Grand Planetarium Eccentric Meteorite is available in a strictly limited edition, with a maximum of 3 pieces, depending on the avaibility and quality of the rough meteorite material. So far, Christiaan van der Klaauw has been able to produce only 2 pieces from the available material, making this timepiece an exceptionally rare collector’s item. This extraordinary creation offers the unique opportunity to own a fragment of a star, forever marking the passage of time.

About Christiaan van der Klaauw
Christiaan van der Klaauw is one of the most prestigious watchmaking houses in the Netherlands, specializing in astronomical watches. Founded in 1974, the brand has distinguished itself by its ability to integrate astronomical complications innovatively and artistically into high-precision timepieces. The Grand Planetarium eccentric model is one of its most iconic Grande Complication, representing the quintessence of art and science.

Moritz Grossmann, renowned for its exquisite craftsmanship and precision in watchmaking, proudly announces the launch of the ART EDITION Max Frintrop. This exclusive collection features sixteen unique timepieces, each showcasing a dial crafted from the top layers of renowned German painter Max Frintrop’s studio floor.

A Fusion of Art and Horology
The ART EDITION Max Frintrop marks the first collaboration between Moritz Grossmann and a contemporary artist. Each dial in this collection captures years of artistic expression, resulting in a mesmerizing display of abstract beauty. The intricate layers of paint, preserved from Frintrop’s studio floor, create a unique and captivating design for each watch.

Craftsmanship and Innovation
At the heart of each timepiece is the calibre 100.1 movement, a testament to Moritz Grossmann’s commitment to quality and precision. Components made from untreated German silver, a hand-engraved 2/3 plate, and the distinctive Grossmann balance are just a few of the features that highlight the exceptional craftsmanship of these watches.

Exclusive Design and Limited Availability
Each watch is engraved with “Unique Piece” on the case back and is available in rose gold or stainless-steel cases. Complemented by different-colored Kudu leather straps, these timepieces are as stylish as they are unique. Max Frintrop’s signature is discreetly engraved on the glass back, adding a personal touch to each piece.

A Philosophical Exploration of Time
This collaboration explores the concept of time through both art and watchmaking. Christine Hutter, CEO of Moritz Grossmann, explains, “The heart of a watch is the balance. It can be seen as philosophical proof that a watch is not just a timepiece, but also a constant reminder that our understanding of time is both fleeting and infinite.”
 

The Armin Strom One Week Titanium Skeleton, an openworked masterpiece now fully skeletonized to reveal the intricate heart of its mechanics, combines striking design with precision engineering. Encased in lightweight titanium grade 5, it balances strength with comfort, providing a feeling of lightness that makes it easy to wear all week long.

The Armin Strom One Week Titanium Skeleton is a showcase of skeletonization, a technique that is rooted in Mr. Armin Strom’s philosophy and heritage. He sought to enhance depth and three-dimensionality while avoiding see-through to maintain elegance.

The 2023 One Week was already openworked by nature, but this version goes even further, removing more material to highlight the movement’s complexity. Few watches combine openworking and skeletonization at this level. The small seconds dial is skeletonized, revealing the power reserve level and the escapement wheel for a 3D mechanical animation. The mainplate and the barrels are also skeletonized enhancing aesthetics. Thanks to this skeletonization, the power reserve indicator is highlighted as well as the cone mechanism, reminiscent of ancient pocket watches. A major highlight is the case back, offering a mesmerizing view of the entire mechanism.

With a 7-day power reserve, this watch keeps time accurate for an entire week without needing winding. The hand-finished details reflect the level of craftsmanship behind its design. Limited to 100 pieces, the One Week Titanium Skeleton offers a refined, functional timepiece that blends robustness and comfort in a minimalist package.
 

A timepiece focused on the essential—yet anything but ordinary.

Chronoswiss proudly introduces the Small Second, the beginning of a new family in the Modern Mechanical collection. The vision? To create a bold mechanical timepiece, stripped of excess yet rich in craftsmanship and detail.

With its 40mm stainless steel case and slim 11.5mm profile, the Small Second is the sleekest Chronoswiss in the current collection. Designed with refinement and precision, the case features polished sides, sandblasted & sculpted lugs, as well as the most streamlined crown the watchmakers of Lucerne have ever created. Every detail serves a purpose, ensuring a fascinating mechanical experience.

Yet, focusing on the true essence does not mean compromise. The curved dial construction, intricate 3D layering, and handcrafted dials transform the Small Second into a study of watchmaking complexity.

At its heart beats the Chronoswiss Manufacture Caliber C.6000—ensuring precision, reliability, and the unmistakable rhythm of a true mechanical timepiece.

Time is not just seen—it is heard.

Chronoswiss presents the Q-Repeater Scream and Q-Repeater Blue Note, two extraordinary Quarter Repeater timepieces that merge the sonic beauty of timekeeping with cutting-edge mechanical architecture. The watchmakers from Lucerne have created a bold reinvention of sound, design, and independent watchmaking deeply rooted in Chronoswiss history. Housed in a Grade 5 titanium case, these 42mm skeletonized masterpieces reveal the intricate mechanisms behind their chiming complication. Every press of the 10 o’clock pusher activates the mesmerizing quarter repeater function, where hammers strike to audibly indicate the hours and quarter-hours, making time a true sensory experience. At its core lies a legacy movement, rooted in the vision of Chronoswiss founder Gerd-Rüdiger Lang. First introduced in the 1990s and exclusively produced for Chronoswiss, this legacy caliber has been taken from our archives, meticulously restored, refined, and reborn in the Atelier Lucerne, making these two timepieces an extraordinary link between the past and the future.

What the watchmakers of Lucerne have achieved here is the ultimate evolution—the heart beats with the legacy of the past, carrying its passion and memories, while the body is Modern Mechanical, engineered for the next century and beyond.

Q-Repeater Scream – A Chiming Rebel
This is not your grandfather’s repeater. The Q-Repeater Scream is a wild, untamed spectacle—combining bold design and mechanical precision unlike anything in watchmaking. The multi-level dial is a skeletonized stage and at the same time part of the movement, where CVD-coated bridges in electric blue, orange, and purple hold the Paraiba green minute ring, the floating hour, as well as the small seconds rings. At 1 o’clock, the heart of this spectacle is fully visible: the striking hammers, set to release a mechanical rock concert at the press of a button.

As you can tell by the name already, it’s not just about what you see. It’s about what you hear. Every chime is a scream of innovation, breaking free from the traditions of classical repeater watches. Even the legacy movement itself becomes part of the gig, holding the Super-LumiNova blocks and hand-guilloché bridges—one of which moves when the mechanism is activated, adding to the dynamic energy of the dial. The watchmakers of Lucerne refer to the glowing ceramic blocks as “chicken heads”, a nod to the iconic amplifier knobs found on rock concert stages—designed to crank up the sound and electrify the crowd.

Caged in 42mm of titanium, the Q-Repeater Scream is limited to just 25 pieces. As only very few of the legacy movements exist this might be the final tour of the band. Each piece is a testament to mechanical defiance and unfiltered artistry. A Quarter Repeater like no other— built for collectors who dare to embrace the wild side of watchmaking.

Q-Repeater Blue Note – The Sound of Elegance
For those who seek a symphony rather than rock n roll, the Q-Repeater Blue Note takes a more refined yet equally innovative approach. Inspired by the expressive power of jazz and blues, the navy blue CVD-coated skeletonized dial and bridges which are part of the movement, play on contrasts with a silver hour ring and luminous white Super-LumiNova markers, creating a harmonious composition of mechanics and design.

In music, a blue note is an altered pitch—intentionally deviating from the standard, creating a sound that is richer, deeper, and full of soul. One could say – the Chronoswiss way of making watches – and music. The Q-Repeater Blue Note embodies this philosophy, blending traditional watchmaking with a contemporary edge, offering a timeless yet unconventional melody of time.

Like the Scream, the Blue Note features the multi-level regulator dial, a fully visible quarter repeater mechanism, and a restored historical movement, revised and refined by thewatchmakers in Lucerne. It is a timepiece that doesn’t just mark time—it composes it.

Time Reimagined, Sound Reinvented
The Q-Repeater Scream and Q-Repeater Blue Note stand as testaments to Chronoswiss’ relentless drive to push boundaries. With only 25 pieces per model, these Quarter Repeaters are more than just rare; they are audible declarations of mechanical mastery.

This is not just a watch. It is an experience. A fusion of sound and time, crafted for those who appreciate the extraordinary. Chronoswiss has never followed the expected path. The future of independent watchmaking starts here—with a chime.

Manufacture Edition Black: a striking monochrome design that seamlessly blends dials and movement, encased in a 39mm stainless steel case and complemented by a glossy taupe alligator strap.

This year, Angelus is releasing the Chronographe Télémètre as a limited edition of two sets of 25 steel timepieces and a further 15 in 18-carat yellow gold. Measuring 37 mm in diameter, with a vintage-inspired dial and a mono-pusher set into the winding crown, this short-interval timekeeping instrument contains countless tributes to Angelus’ rich history and particularly its speciality in crafting chronographs. Its noble hand-wound mechanism, historical roots and superior finishes give this chronograph a wildly elegant retro aesthetic.

After the Instrument de Vitesse and the Chronographe Médical, the La Fabrique collection welcomes a new masterpiece that recalls the functional and aesthetic history of Angelus. Founded in 1891 in Le Locle by the Stolz brothers, Angelus quickly specialised in alarm clocks, minute repeaters and, above all, chronographs. One of its iconic models already inspired the revival of the Chronodate collection 80 years later.

With the Orbit, we’ve created the world’s first on-demand pointer-date on a bezel. And in doing so, we didn’t just rethink a complication — we introduced a whole new experience. Most watches just force the date on you. The date function is always present — whether you like it or not, it shifts at midnight, ticking off another day. The Orbit? It’s different. It only displays the date when you ask.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.