TREMBLAGE Gold

Moritz Grossmann, renowned for its exquisite craftsmanship and precision in watchmaking, proudly announces the launch of the ART EDITION Max Frintrop. This exclusive collection features sixteen unique timepieces, each showcasing a dial crafted from the top layers of renowned German painter Max Frintrop’s studio floor.

A Fusion of Art and Horology
The ART EDITION Max Frintrop marks the first collaboration between Moritz Grossmann and a contemporary artist. Each dial in this collection captures years of artistic expression, resulting in a mesmerizing display of abstract beauty. The intricate layers of paint, preserved from Frintrop’s studio floor, create a unique and captivating design for each watch.

Craftsmanship and Innovation
At the heart of each timepiece is the calibre 100.1 movement, a testament to Moritz Grossmann’s commitment to quality and precision. Components made from untreated German silver, a hand-engraved 2/3 plate, and the distinctive Grossmann balance are just a few of the features that highlight the exceptional craftsmanship of these watches.

Exclusive Design and Limited Availability
Each watch is engraved with “Unique Piece” on the case back and is available in rose gold or stainless-steel cases. Complemented by different-colored Kudu leather straps, these timepieces are as stylish as they are unique. Max Frintrop’s signature is discreetly engraved on the glass back, adding a personal touch to each piece.

A Philosophical Exploration of Time
This collaboration explores the concept of time through both art and watchmaking. Christine Hutter, CEO of Moritz Grossmann, explains, “The heart of a watch is the balance. It can be seen as philosophical proof that a watch is not just a timepiece, but also a constant reminder that our understanding of time is both fleeting and infinite.”
 

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

Matt and refined with vintage style: Instrument de Vitesse presents the purest expression of a chronograph, with no sub-counters. The collection sets the tone with its Indianapolis blue and Silverstone grey dials. Its finely printed tachymeter scale is dedicated to speed and is as functional as a dashboard instrument.

Things are not always what they seem. At first glance, Instrument de Vitesse could be a highly refined three-hand watch. Only its discreet tachymeter scale, printed on the edge of the dial, and its name point us in the right direction: this is a chronograph designed for short bursts, an instrument for measuring average speed over a maximum period of 60 seconds. The purpose of the button on the crown thus becomes clear: a single push-piece that triggers the slender direct-drive central seconds hand.

According to the traditional Chinese calendar, 2025 is the Year of the Wooden Snake and will be ruled by the words perspicacity, intelligence and prudence. In its honour, Arnold & Son is creating Perpetual Moon 41.5 “Year of the Snake”: a series of eight timepieces in red gold. Combining a manufacture calibre with a large astronomical moon – one of its specialities – with an aventurine glass dial base – one of its signatures – and a wealth of delicately worked artistic crafts – one of its recurring themes – Arnold & Son presents a masterful interpretation of the Year of the Snake.

The Year of the Wooden Snake starts on 29 January 2025. Under this element, the reptile foretells transformation and a need for self-improvement, combined with energy and introspection. It is a year of negotiations, shrouded in mystery and secrecy. Arnold & Son is celebrating the Chinese zodiac calendar with Perpetual Moon 41.5 “Year of the Snake”.