Angelus Flying Tourbillon Skeleton Titanium, Orange Edition

With the Orbit, we’ve created the world’s first on-demand pointer-date on a bezel. And in doing so, we didn’t just rethink a complication — we introduced a whole new experience. Most watches just force the date on you. The date function is always present — whether you like it or not, it shifts at midnight, ticking off another day. The Orbit? It’s different. It only displays the date when you ask.

Angelus introduces a new collection that plays with the tension between the circle and openworking. Flying Tourbillon Titanium adopts the architecture of the house’s contemporary case, consisting of a carbon composite container surrounded by a titanium case middle with a notched bezel. Inside, Angelus has installed a new hand-wound movement, the A-310 calibre, equipped with a flying tourbillon at 6 o’clock. Large Arabic numerals float between the sapphire crystal and the PVD-treated bridges, adding rhythm and lightness to Flying Tourbillon Titanium. The inaugural version is clad in blue, from the movement to the flange and the interchangeable alligator-leather and rubber straps.

The omnipresent grey of titanium extends into the sunray-brushed grey of the "Magnetic Silver" dial. Chronodate Titanium expresses its technical sophistication in an ensemble where deep black contrasts with a hint of red. With this ultra-sporty, understated and intense new colour scheme, Chronodate Titanium catches the eye, fixes it and draws it towards the horizon.

Angelus introduces a new shade of its self-winding chronograph with peripheral date. Chronodate welcomes the silver-grey "Magnetic Silver" in a tone-on-tone effect. The harmonious blend between titanium case, titanium bracelet or black rubber strap, rhodium-plated hands and the dial surface creates a technical monochrome impression. This grey continues into black, revealing the movement container and then the carbon composite push-pieces. This black ensemble culminates in the two counters, one a 30-minute chronograph totaliser and the other with a small seconds.

Chronodate is a fusion of two different styles: Angelus, the historic brand and its Swiss watchmaking heritage, and Angelus, the technical, modern brand with a penchant for complications. With this colour combination, the house presents the most striking version of this chronograph collection.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

A contemporary expression of classical proportion, revealing the architecture of high watchmaking
 

DANIEL ROTH presents the Extra Plat Rose Gold Skeleton, a new interpretation of one of the Maison’s most emblematic creations. Remaining faithful to the proportions and restrained elegance of the Extra Plat, this latest iteration introduces skeletonisation for the first time in the brand’s modern revival, allowing the inner architecture of the watch to take centre stage.

Conceived in the spirit of La Montre Objet d’Art, the Extra Plat Rose Gold Skeleton preserves the calm geometry of the double‑ellipse case while offering a transparent view into the movement, transforming technical construction into a visual and artistic experience.

The Extra Plat: A signature revisited
Simplicity, when executed with absolute precision, has long been central to the identity of DANIEL ROTH. During the early years of his independent career, Mr. Roth considered the Extra Plat a complication in its own right, favouring it for the technical discipline required to achieve true thinness and perfect proportion.

Defined by its double‑ellipse case and balanced architecture, the Extra Plat became a cornerstone of the Maison’s aesthetic vocabulary in the early 1990s. While Daniel Roth produced skeletonised versions of select complications during that period, the Extra Plat itself was never skeletonised. This new creation therefore marks a respectful yet meaningful evolution, expanding the expressive range of the Extra Plat while remaining faithful to its original spirit.

The DR002SR calibre: a skeletonised rose gold heart
At the centre of the Extra Plat Rose Gold Skeleton is the new manually wound calibre DR002SR, developed and manufactured entirely at La Fabrique du Temps Louis Vuitton under the supervision of master watchmakers Michel Navas and Enrico Barbasini.

Based on the DR002, the DR002SR has been re‑engineered from the ground up specifically for skeletonisation. The bridges and plates have been reshaped to maximise openness and visual clarity, while preserving structural rigidity and chronometric performance. Crafted in solid 18k 5N rose gold, the movement mirrors the warmth of the case and provides an ideal canvas for traditional hand finishing.

Transparency in motion
Skeletonisation is an exercise in reduction and balance. With the DR002SR, DANIEL ROTH brings this principle to its highest expression. The calibre reveals a wealth of hand‑executed details, including numerous hand‑polished internal angles, black‑polished steel components, and meticulously bevelled bridges—finishes that can only be achieved by skilled artisans and never by machine.

Despite its openworked construction, the DR002SR retains a power reserve of 65 hours and a frequency of 4 Hz, underscoring the Maison’s commitment to both technical integrity and timeless aesthetics.

Slim proportions, uncompromised structure
Housed in a 38.6 × 35.5 mm double‑ellipse case crafted in 18k rose gold, the Extra Plat Rose Gold Skeleton measures just 6.9 mm in thickness. This exceptional slenderness ensures that the watch remains true to the Extra Plat philosophy of discreet elegance and effortless wearability.

Produced in extremely limited numbers each year, the Extra Plat Rose Gold Skeleton is intended for collectors who value traditional high watchmaking expressed with clarity, restraint, and depth.

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